Marriage -- Fiction; Virginia -- Fiction; Wives -- Fiction; Women -- Fiction
At the door of the apartment house she was told that Miss Oldcastle
could not be seen, but, after sending up her card and waiting a few
moments in the hall before a desk which reminded her of a gilded
squirrel-cage, she was escorted to the elevator and borne upward to the
ninth landing. Here, in response to the tinkle of a little bell outside
of a door, she was ushered into a reception room which was so bare alike
of unnecessary furniture and of the Victorian tradition to which she was
accustomed, that for an instant she stood confused by the very
strangeness of her surroundings. Then a charming voice, with what
sounded to her ears as an affected precision of speech, said: "Mrs.
Treadwell, this is so good of you!" and, turning, she found herself face
to face with the other woman in Oliver's life.
"I saw you at the play last night," the voice went on, "and I hoped to
get a chance to speak to you, but the reporters simply invaded my
dressing-room. Won't you sit here in the sunshine? Shall I close the
window, or, like myself, are you a worshipper of the sun?"
"Oh, no, leave it open. I like it." At any other moment she would have
been afraid of an open window in February; but it seemed to her now that
if she could not feel the air in her face she should faint. With the
first sight of Margaret Oldcastle, as she looked into that smiling
face, in which the inextinguishable youth was less a period of life than
an attribute of spirit, she realized that she was fighting not a woman,
but the very structure of life. The glamour of the footlights had
contributed nothing to the flame-like personality of the actress. In her
simple frock of brown woollen, with a wide collar of white lawn turned
back from her splendid throat, she embodied not so much the fugitive
charm of youth, as that burning vitality over which age has no power.
The intellect in her spoke through her noble rather than beautiful
features, through her ardent eyes, through her resolute mouth, through
every perfect gesture with which she accompanied her words. She stood
not only for the elemental forces, but for the free woman; and her
freedom, like that of man, had been built upon the strewn bodies of the
weaker. The law of sacrifice, which is the basic law of life, ruled here
as it ruled in mother-love and in the industrial warfare of men. Her
triumph was less the triumph of the individual than of the type. The
justice not of society, but of nature, was on her side, for she was one
with evolution and with the resistless principle of change. Vaguely,
without knowing that she realized these things, Virginia felt that the
struggle was useless; and with the sense of failure there awoke in her
that instinct of good breeding, that inherited obligation to keep the
surface of life sweet, which was so much older and so much stronger than
the revolt in her soul.
Public-domain text, read in full here on John Shaqi.
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