Virginibus Puerisque, and Other PapersStevenson, Robert Louis
General
Virginibus Puerisque, and Other Papers
Stevenson, Robert Louis
Essays
Now, to be properly enjoyed, a walking tour should be gone upon alone.
If you go in a company, or even in pairs, it is no longer a walking tour
in anything but name; it is something else and more in the nature of a
picnic. A walking tour should be gone upon alone, because freedom is of
the essence; because you should be able to stop and go on, and follow
this way or that, as the freak takes you; and because you must have your
own pace, and neither trot alongside a champion walker, nor mince in time
with a girl. And then you must be open to all impressions and let your
thoughts take colour from what you see. You should be as a pipe for any
wind to play upon. “I cannot see the wit,” says Hazlitt, “of walking and
talking at the same time. When I am in the country I wish to vegetate
like the country,”—which is the gist of all that can be said upon the
matter. There should be no cackle of voices at your elbow, to jar on the
meditative silence of the morning. And so long as a man is reasoning he
cannot surrender himself to that fine intoxication that comes of much
motion in the open air, that begins in a sort of dazzle and sluggishness
of the brain, and ends in a peace that passes comprehension.
During the first day or so of any tour there are moments of bitterness,
when the traveller feels more than coldly towards his knapsack, when he
is half in a mind to throw it bodily over the hedge and, like Christian
on a similar occasion, “give three leaps and go on singing.” And yet it
soon acquires a property of easiness. It becomes magnetic; the spirit of
the journey enters into it. And no sooner have you passed the straps
over your shoulder than the lees of sleep are cleared from you, you pull
yourself together with a shake, and fall at once into your stride. And
surely, of all possible moods, this, in which a man takes the road, is
the best. Of course, if he _will_ keep thinking of his anxieties, if he
_will_ open the merchant Abudah’s chest and walk arm-in-arm with the
hag—why, wherever he is, and whether he walk fast or slow, the chances
are that he will not be happy. And so much the more shame to himself!
There are perhaps thirty men setting forth at that same hour, and I would
lay a large wager there is not another dull face among the thirty. It
would be a fine thing to follow, in a coat of darkness, one after another
of these wayfarers, some summer morning, for the first few miles upon the
road. This one, who walks fast, with a keen look in his eyes, is all
concentrated in his own mind; he is up at his loom, weaving and weaving,
to set the landscape to words. This one peers about, as he goes, among
the grasses; he waits by the canal to watch the dragon-flies; he leans on
the gate of the pasture, and cannot look enough upon the complacent kine.
And here comes another, talking, laughing, and gesticulating to himself.
His face changes from time to time, as indignation flashes from his eyes
or anger clouds his forehead.
Public-domain text, read in full here on John Shaqi.
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