Visible and InvisibleBenson, E. F. (Edward Frederic)
Science
Visible and Invisible
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
It was impossible to speak or to think differently. I knew well how
trivial a matter death was to my friend, and I was not sure that at
heart I did not agree with him. We were quite at one, too, in that
we had so often gossiped about death with cheerful conjecture and
interested surmise based on the steady assurance that something of new
and delightful import was to follow, since neither of us happened to be
of that melancholy cast of mind that can envisage annihilation. I had
promised, in case I was the first to embark on the great adventure, to
do my best to “get through,” and give him some irrefutable proof of the
continuance of my existence, just by way of endorsement of our belief,
and he had given a similar pledge, for it appeared to us both, that,
whatever the conditions of the future might turn out to be, it would
be impossible when lately translated there, not to be still greatly
concerned with what the present world still held for us in ties of
love and affection. I laughed now to remember how he had once imagined
himself begging to be excused for a few minutes, directly after death,
and saying to St. Peter: “May I keep your Holiness waiting for a minute
before you finally lock me into Heaven or Hell with those beautiful
keys? I won’t be a minute, but I do want so much to be a ghost, and
appear to a friend of mine who is on the look-out for such a visit. If
I find I can’t make myself visible I will come back at once.... Oh,
_thank_ you, your Holiness.”
So we agreed that I should run the risk of his dying in my house, and
promised not to make any reproaches posthumously (as far as he was
concerned) in case he did so. He on his side promised not to die if he
could possibly help it, and next week or so he would come down to me in
the heart of the country that he loved, and see April at work.
“And I haven’t told you anything about my house yet,” I said. “It’s
right at the top of the hill, square and Georgian and red-bricked. A
panelled hall, dining-room and panelled sitting-room downstairs, and
more panelled rooms upstairs. And there’s a garden with a lawn, and
a high brick wall round it, and there is a big garden room, full of
books, with a bow-window looking down the cobbled street. Which bedroom
will you have? Do you like looking on to the garden or on to the
street? You may even have my room if you like.”
He looked at me a moment with eager attention. “I’ll have the square
panelled bedroom that looks out on to the garden, please,” he said.
“It’s the second door on the right when you stand at the top of the
stairs.”
“But how do you know?” I asked.
Public-domain text, read in full here on John Shaqi.
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