Visible and InvisibleBenson, E. F. (Edward Frederic)
Science
Visible and Invisible
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
All was arranged then upstairs for the pouring of the paraffin and the
lighting of the pyre; it remained but to make similar dispositions in
the studio. He would stay to feed the flames till they raged beyond all
power of extinction; and now he began to plan the line of his retreat.
There were two doors in the studio: one by the fireplace which opened
on to the little garden; the other gave into the passage entrance from
which mounted the stairs and so to the door through which he had come
into the house. He decided to use the garden-door for his exit; but
when he came to open it, he found that the key was stiff in the rusty
lock, and did not yield to his efforts. There was no use in wasting
time over that; it made no difference through which door he finally
emerged, and he began piling up his heap of wood at that end of the
room. The lamp was burning low; but the fire, which only so few minutes
ago she had fed with a broken chair, shone brightly, and a flaming
ember from it would serve to set light to his conflagration. There was
a straw mat in front of it, which would make fine kindling, and with
these two fires, one in the bedroom upstairs and the other here, there
would be no mistake about the incineration of the house and all that
it contained. His own crime, if crime it was, would perish, too, and
all evidence thereof, victim and whipcord, and the very walls of the
house of sin and hate. It was a great deed and a fine adventure, and
as the liquor he had drunk began to circulate more buoyantly through
his veins, he gloried at the thought of the approaching consummation.
He would slip out of the sordid tragedy of his past life, as from a
discarded garment that he threw into the bonfire he would soon kindle.
All was ready now for the soaking of the fuel he had piled with the
paraffin, and he went out to the shed in the yard where the barrel
stood. A big tin ewer stood beside it, which he filled and carried
indoors. That would be sufficient for the soaking of the pile upstairs,
and fetching the smoky and flickering lamp from the studio, he went
up again, and like a careful gardener watering some bed of choice
blossoms, he sprinkled and poured till his ewer was empty. He gave
but one glance to the bed behind him, where the huddled thing lay
so quietly, and as he turned, lamp in hand, to go down again, the
draught that came in through the window against which the gale blew,
extinguished it. A little blue flame of burning vapour rose in the
chimney and went out; so, having no further use for it, he pitched it
on to the pile of soaked material. As he left the room he thought he
heard some small stir of movement behind him, but he told himself that
it was but something slipping in the heap he had built there.
Public-domain text, read in full here on John Shaqi.
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