Visible and InvisibleBenson, E. F. (Edward Frederic)
Science
Visible and Invisible
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
“Oh, not to-night,” said Hugh. “Let’s have an evening off.”
Margaret disregarded this.
“It’s no use asking planchette questions,” she went on, “because there
is in your mind some sort of answer to them. If I ask whether it will
be fine to-morrow, for instance, it is probably I--though indeed I
don’t mean to push--who makes the pencil say ‘yes.’”
“And then it usually rains,” remarked Hugh.
“Not always: don’t interrupt. The interesting thing is to let the
pencil write what it chooses. Very often it only makes loops and
curves--though they may mean something--and every now and then a word
comes, of the significance of which I have no idea whatever, so I
clearly couldn’t have suggested it. Yesterday evening, for instance,
it wrote ‘gardener’ over and over again. Now what did that mean? The
gardener here is a Methodist with a chin-beard. Could it have meant
him? Oh, it’s time to dress. Please don’t be late, my cook is so
sensitive about soup.”
We rose, and some connection of ideas about “gardener” linked itself up
in my mind.
“By the way, what’s that cottage in the field by the foot-bridge?” I
asked. “Is that the gardener’s cottage?”
“It used to be,” said Hugh. “But the chin-beard doesn’t live there: in
fact nobody lives there. It’s empty. If I was owner here, I should put
the chin-beard into it, and take the rent off his wages. Some people
have no idea of economy. Why did you ask?”
I saw Margaret was looking at me rather attentively.
“Curiosity,” I said. “Idle curiosity.”
“I don’t believe it was,” said she.
“But it was,” I said. “It was idle curiosity to know whether the
house was inhabited. As I passed it, going down to the club-house, I
felt sure it was empty, but coming back I felt so sure that there was
someone there that I rapped at the door, and indeed walked round it.”
Hugh had preceded us upstairs, as she lingered a little.
“And there was no one there?” she asked. “It’s odd: I had just the same
feeling as you about it.”
“That explains planchette writing ‘gardener’ over and over again,” said
I. “You had the gardener’s cottage on your mind.”
“How ingenious!” said Margaret. “Hurry up and dress.”
A gleam of strong moonlight between my drawn curtains when I went up
to bed that night led me to look out. My room faced the garden and
the fields which I had traversed that afternoon, and all was vividly
illuminated by the full moon. The thatched cottage with its white walls
close by the stream was very distinct, and once more, I suppose, the
reflection of the light on the glass of one of its windows made it
appear that the room was lit within. It struck me as odd that twice
that day this illusion should have been presented to me, but now a yet
odder thing happened. Even as I looked the light was extinguished.
Public-domain text, read in full here on John Shaqi.
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