Inheritance and succession -- Fiction; Man-woman relationships -- Fiction
"Are you acting a part with me?" Severance flung at her. "Or what has
come over you, Marise? One would think you in reality the virtuous
married woman, keeping the _tertium quid_ at arm's length----"
"Well, I _am_ a married woman. And--and I'm not _un_virtuous!" she
defied him, through her heart-beats. "Things have changed, Tony----"
"Why--because I've got a million dollars less than you expected me to
have?"
The girl sprang to her feet, tingling and trembling. Severance jumped up
also, and belted her slim waist with his hot hands. He thought that this
was the way to regain her--that by grasping her body he might seize her
elusive spirit. It was all that Marise could do not to scream, "Help!
Help!" like an early-Victorian heroine. She bit back the cry of
primitive womanhood, but to her intense surprise, and even horror, she
found herself landing a rousing box on Tony's ear.
"You vixen!" he blurted.
"Cad!" she retorted.
With that, his hands dropped from her waist. His face had been pale with
fatigue. Now it was paler with pain. "You don't--mean that, Marise?" he
stammered.
And, of course, she didn't. Things had happened in the past which had
encouraged him to this. He had thought she loved him. She was to blame
as much as he was--more, perhaps--the Canyon would say.
"I'm sorry I boxed your ear, Tony," she apologised. "But--but--if you go
on like this, I'm awfully afraid I shall lose my head and box it again."
"I don't understand you," he said, more quietly.
"I don't understand myself," she confessed.
"Then"--and fire from the Canyon lit Severance's Greek eyes--"it's my
plan to make you understand. You love me. You _daren't_ go back from it
all, after what's passed. I love you, and you belong to me."
"Good afternoon, Severance," said Garth, at the window. "I heard you'd
arrived."
CHAPTER XXXV
STRAIGHT TALK
If Garth had appeared two minutes earlier, he need have suffered no
uncertainty about Marise. But unfortunately she was not in these days
the romantic heroine of a stage play. Characters did not come on or go
off at just the right instant to work up her scenes in life. Therefore
this unrehearsed effect ended with an anti-climax. Whether Severance
were cast for hero or villain remained doubtful: and whether she had
acted the noble wife or the weak lover was left vague: or at least, it
was vague to the mind of Garth. He had no idea what Marise had done. He
was sure only that Severance had done as much as she would let him do.
By and by he expected to learn a great deal more: through the process of
deduction.
Public-domain text, read in full here on John Shaqi.
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