Visions and Beliefs in the West of Ireland, Second Series
General
Visions and Beliefs in the West of Ireland, Second Series
Atlantic Coast (Ireland) -- Social life and customs; Folklore -- Ireland; Ireland -- Social life and customs
The priest
tells her that if she can but cease to believe in her punishments
they will cease to exist. She listens in gratitude but she cannot
cease to believe, and while she is speaking they come upon her and
she rushes away enfolded in flames. Her imagination has created all
those terrors out of a scruple, and one remembers how Lake Harris,
who led Laurence Oliphant such a dance, once said to a shade, "How
did you know you were damned?" and that it answered, "I saw my own
thoughts going past me like blazing ships."
In a play still more rich in lyric poetry a priest is wandering in
a certain ancient village. He describes the journey and the scene,
and from time to time the chorus sitting at the side of the stage
sings its comment. He meets with two ghosts, the one holding a red
stick, the other a piece of coarse cloth and both dressed in the
fashion of a past age, but as he is a stranger he supposes them
villagers wearing the village fashion. They sing as if muttering,
"We are entangled up--whose fault was it, dear? Tangled up as the
grass patterns are tangled up in this coarse cloth, or that insect
which lives and chirrups in dried seaweed. We do not know where are
today our tears in the undergrowth of this eternal wilderness. We
neither wake nor sleep and passing our nights in sorrow, which is
in the end a vision, what are these scenes of spring to us? This
thinking in sleep for some one who has no thought for you, is it more
than a dream? And yet surely it is the natural way of love. In our
hearts there is much, and in our bodies nothing, and we do nothing
at all, and only the waters of the river of tears flow quickly." To
the priest they seem two married people, but he cannot understand
why they carry the red stick and the coarse cloth. They ask him to
listen to a story. Two young people had lived in that village long
ago and night after night for three years the young man had offered a
charmed red stick, the token of love, at the young girl's window, but
she pretended not to see and went on weaving. So the young man died
and was buried in a cave with his charmed red sticks, and presently
the girl died too, and now because they were never married in life
they were unmarried in their death. The priest, who does not yet
understand that it is their own tale, asks to be shown the cave, and
says it will be a fine tale to tell when he goes home. The chorus
describes the journey to the cave. The lovers go in front, the priest
follows. They are all day pushing through long grasses that hide the
narrow paths. They ask the way of a farmer who is mowing. Then night
falls and it is cold and frosty. It is stormy and the leaves are
falling and their feet sink into the muddy places made by the autumn
showers; there is a long shadow on the slope of the mountain, and an
owl in the ivy of the pine tree. They have found the cave and it is
dyed with the red sticks of love to the colour of "the orchids and
Public-domain text, read in full here on John Shaqi.
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