Visions and Revisions: A Book of Literary DevotionsPowys, John Cowper
History
Visions and Revisions: A Book of Literary Devotions
Powys, John Cowper
Literature, Modern -- History and criticism
"And I said"--but let us pass to his Companion. The cruelty of this
conversation with "Psyche" is a thing that may well make us
shudder. The implication is, of course, double. Psyche is his own
soul; the soul in him which would live, and grow, and change, and
know the "Vita Nuova." She is also "the Companion," to whom he
has turned for consolation. She is the Second One, the Other One, in
whose living caresses he would forget, if it might be, that which lies
down there in the darkness!
"Then Psyche, uplifting her finger,
Said, 'sadly this star I mistrust,
Its pallor I strangely mistrust.
O hasten! O let us not linger!
O fly! Let us fly! for we must!'"
Thus the Companion; thus the Comrade; thus the "Vita Nuova"!
Now mark what follows:
"Then I pacified Psyche and kissed her,
And tempted her out of her gloom.
And conquered her scruples and gloom.
And we passed to the end of a Vista,
But were stopped by the door of a Tomb.
By the door of a Legended Tomb,
And I said: 'What is written, sweet sister,
On the door of this legended Tomb?'
She replied, Ulalume--Ulalume--
Tis the vault of thy lost Ulalume!"
The end of the poem is like the beginning, and who can utter the
feelings it excites? That "dark tarn of Auber," those "Ghoul-haunted
woodlands of Weir" convey, more thrillingly than a thousand words
of description, what we have actually felt, long ago, far off, in that
strange country of our forbidden dreams.
What a master he is! And if you ask about his "philosophy of life,"
let the Conqueror Worm make answer:
"Lo! Tis a Gala-Night
Within the lonesome latter years--"
Is not that an arresting commencement? The word "Gala-Night"--has
it not the very malice of the truth of things?
Like Heine, it gave this poet pleasure not only to love the Dead, but
to love feeling himself dead. That strange poem about "Annie." with
its sickeningly sentimental conclusion, where the poet lies prostrate,
drugged with all the drowsy syrops in the world, and celebrates his
euthanasia, has a quality of its own. It is the "inverse" of life's
"Danse Macabre." It is the way we poor dancers long to sleep. "For
to sleep you must slumber in just such a bed!" The old madness is
over now; the old thirst quenched. It was quenched in a water that
"does not flow so far underground." And luxuriously, peacefully, we
can rest at last, with the odour of "puritan pansies" about us, and
somewhere, not far off, rosemary and rue!
Edgar Allen Poe's philosophy of Life? It may be summed up in the
lines from that little poem, where he leaves her side who has, for a
moment, turned his heart from the Tomb. The reader will remember
the way it begins: "Take this kiss upon thy brow." And the
conclusion is the confusion of the whole matter:
"All that we see or seem
Is but a dream within a dream."
Public-domain text, read in full here on John Shaqi.
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