Visits and Sketches at Home and Abroad, Vol. 2 (of 3): With Tales and Miscellanies Now First CollectedJameson, Mrs. (Anna)
History
Visits and Sketches at Home and Abroad, Vol. 2 (of 3): With Tales and Miscellanies Now First Collected
Jameson, Mrs. (Anna)
Germany -- Description and travel
From the fortress we look down upon the house of Albert Durer, which
is preserved with religious care; it has been hired by a society of
artists, who use it as a club-room: his effigy in stone is over the
door. In every house there is a picture or print of him; or copies,
or engravings from his works, and his head hangs in every print shop.
The street in which he lived is called by his name; and the inhabitants
have moreover built a fountain to his honour, and planted trees around
it;--in short, Albert Durer is wherever we look--wherever we move. What
can Fuseli mean by saying that Albert Durer "was a man of extreme
ingenuity without being a genius?" Does the man of mere ingenuity step
before his age as Albert Durer did, not as an artist only, but as a man
of science? Is not genius the creative power? and did not Albert Durer
possess this power in an extraordinary degree? Could Fuseli have seen
his four apostles, now in the gallery of Munich, when he said that
Albert Durer never had more than an occasional _glimpse_ of the sublime?
Fuseli, as an _artist_, is an example of what I have seen in other
minds, otherwise directed. The stronger the faculties, the more of
original power in the mind, the less diffused is the sympathy, and the
more is the judgment swayed by the individual character. Thus Fuseli, in
his remarks on painters--excellent and eloquent as they are--scarcely
ever does justice to those who excel in colour. He perceives and admits
the excellence, but he shows in his criticisms, as in his pictures,
that the faculty was wanting to feel and appreciate it: his remarks on
Correggio and Rubens are a proof of this. In listening to the criticisms
of an author on literature--of a painter on pictures--and, generally, to
the opinion which one individual expresses of the character and actions
of another, it is wise to take into consideration the modification of
mind in the person who speaks, and how far it may, or _must_, influence,
even where it does not absolutely distort, the judgment; so many minds
are what the Germans call _one-sided_! The education, habits, mental
existence of the individual, are the refracting medium through which the
rays of truth pass to the mind, more or less bent or absorbed in their
passage. We should make philosophical allowance for different degrees
of density.
Public-domain text, read in full here on John Shaqi.
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