Visits and Sketches at Home and Abroad, Vol. 2 (of 3): With Tales and Miscellanies Now First CollectedJameson, Mrs. (Anna)
History
Visits and Sketches at Home and Abroad, Vol. 2 (of 3): With Tales and Miscellanies Now First Collected
Jameson, Mrs. (Anna)
Germany -- Description and travel
Tieck's extraordinary talent for reading aloud is much and deservedly
celebrated: he gives dramatic readings two or three times a week
when his health and his avocations allow this exertion; the company
assemble at six, and it is advisable to be punctual to the moment; soon
afterwards tea is served: he begins to read at seven precisely, when the
doors are closed against all intrusion whatever, and he reads through a
whole play without pause, rest, omission, or interruption. Thus I heard
him read Julius Cæsar and the Midsummer Night's Dream, (in the German
translation by himself and Schlegel,) and except Mrs. Siddons, I never
heard any thing comparable as dramatic reading. His voice is rich, and
capable of great variety of modulation. I observed that the humorous and
declamatory passages were rather better than the pathetic and tender
passages: he was quite at home among the elves and clowns in the Midsummer
Night's Dream, of which he gave the fantastic and comic parts with
indescribable humour and effect. As to the translation, I could only
judge of its marvellous fidelity, which enabled me to follow him, word
for word,--but the Germans themselves are equally enchanted by its
vigour, and elegance, and poetical colouring.
* * * * *
The far-famed gallery of Dresden is, of course, the first and grand
attraction to a stranger.
The regulation of this gallery, and the difficulty of obtaining
admission, struck me at first as rather inhospitable and ill-natured.
In the summer months it is open to the public two days in the week; but
during the winter months, from September to March, it is closed. In
order to obtain admittance, during this _recess_, you must pay three
dollars to one of the principal keepers on duty, and a gratuity to the
porter,--in all about half-a-guinea. Having once paid this sum, you are
free to enter whenever the gallery has been opened for another party.
The ceremony is, to send the laquais-de-place at nine in the morning to
inquire whether the gallery will be open in the course of the day; if
the answer be in the affirmative, it is advisable to make your appearance
as early as possible, and I believe you may stay as long as you please;
(at least _I_ did;) nothing more is afterwards demanded, though something
may perhaps be expected--if you are a _very_ frequent visitor. All this
is rather ungracious. It is true that the gallery is not a national, but
a royal gallery,--that it was founded and enriched by princes for their
private recreation; that Augustus III. purchased the Modena gallery for
his kingly pleasure; that from the original construction of the building
it is impossible to heat it with stoves, without incurring some risk,
and that to oblige the poor professors and attendants to linger benumbed
and shivering in the gallery from morning to night is cruel. In fact, it
would be difficult to give an idea of the deadly cold which prevails in
Public-domain text, read in full here on John Shaqi.
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