Visits to Fields of Battle, in England, of the Fifteenth Century: to which are added, some miscellaneous tracts and papers upon archæological subjectsBrooke, Richard
History
Visits to Fields of Battle, in England, of the Fifteenth Century: to which are added, some miscellaneous tracts and papers upon archæological subjects
Brooke, Richard
Battlefields -- England; Great Britain -- History -- Wars of the Roses, 1455-1485
The principal staircase is of oak planks, and its balustrade is of the
same wood, with large flat balusters, and a heavy carved hand-rail, all
black with age. On the first floor, up the stairs, on the landing, in
one of the bed-chambers, and in a cheese-room, the old oak floors remain
nearly entire; and the oak floor also partially remains in another room
at the eastern end of the building, on the same story; into this room a
communication was not long since made from the bed-chamber before
mentioned, and in making it the workmen discovered that they were merely
reopening an old door-case (which had been long blocked up), with its
jambs and lintel.
The room into which the communication was so opened had formerly been let
off as part of a distinct dwelling; it lies at the eastern extremity of
the mansion, and is now used as a bedchamber. It is remarkable for being
the place of discovery of an ancient painting, which it is to be
regretted was never seen by any person capable of copying or properly
describing it. The old hall is now tenanted by a farmer, who informed me
that, in 1847, when he was making a fire-place in it, at the east end,
and close to the range of chimney-flues before mentioned, with which the
fire-place now communicates, he caused some plaster to be removed, and by
that removal exposed to view a painting on stone, representing several
men and females, about five or six inches in height. The only
description which he could give me of them was, that they appeared to him
to have very droll dresses, like long flowing robes, of different
colours, with ornaments, which he supposed to represent large buttons;
that some of the figures had curiously shaped hats (his description of
them conveyed to me the idea of their being something in the style of
Spanish hats), and he stated that the painting did not appear to him to
represent any Scripture subject. It was covered over again with building
materials when the fire-place was completed. It is much to be regretted
that the figures were not copied, or at least examined by some person
conversant with such subjects; as it is more than probable that they
would have afforded a curious and authentic illustration of the dresses
of persons of the higher classes, in the reign of Queen Elizabeth, about
1583. Some slight indications of a similar painting were once visible,
over the fire-place, in a room on the ground floor under the room which
will be next described.
Public-domain text, read in full here on John Shaqi.
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