Visits to Fields of Battle, in England, of the Fifteenth Century: to which are added, some miscellaneous tracts and papers upon archæological subjectsBrooke, Richard
History
Visits to Fields of Battle, in England, of the Fifteenth Century: to which are added, some miscellaneous tracts and papers upon archæological subjects
Brooke, Richard
Battlefields -- England; Great Britain -- History -- Wars of the Roses, 1455-1485
Ormerod describes the arms in the window, as the arms of “Stanley
impaling Handford, on a chief engrailed azure, three bucks or; impaling
Handford, first and fourth, sable, a star of six rays argent; second and
third, gules, a scythe argent, Praers; crest, an eagle’s head erased or,
holding in the mouth a claw gules.” {279a} It is probable that the
stained glass (with the arms) was more perfect when Ormerod wrote, than
at present; but he seems to have fallen into an error, in mentioning
three “bucks” instead of “bucks’ heads” on the chief. On the dexter side
of the arms is the inscription “Vanitas vanitatum.” The chapel has a
carved oak screen or frame-work, enclosing it on the west and north
sides, with some carving, not very dissimilar to lace-work, but much
injured; with a cornice containing the before-mentioned rebus, of a brier
and a tun, for Brereton, repeated thirteen times, with the initial
letters V and B between each alternately, for “Urian” and “Brereton,” on
the north side, but the rebus has been destroyed on the west side. {279b}
At the bottom of the screen, on each of those sides, are panels, carved
so as to resemble drapery, in upright folds, with two arrows showing
themselves upon the drapery on one or two of the panels, and which
probably may also have formerly appeared on some of the others.
On the north side of the church is the part called the Mosely Chapel, and
sometimes called the Bamford Chapel, which has on the south and west
sides a screen or frame-work of carved oak, of a plainer style, and
apparently of an older date, than that of the Handford Chapel. It is
much mutilated, and there are on it traces of an inscription, in the old
characters, of which only a few letters are still visible and legible;
but I was informed, by Mr. George Smith, the clerk, that the pulpit,
which has been removed, and placed close to the screen, now conceals
other imperfect portions of the inscription, which, however, he had
previously carefully copied (a measure highly creditable to him), and
that the imperfect portions which exist, are as follows:—“rginis — — artu
milīmo — uīgētismo XXIX”; the latter being meant for the date—millesimo
quingentesimo undetricesimo (1529).
The roof of the church is of oak, supported by elaborately carved oak
beams, with cross rafters, also handsomely carved, and with bosses at the
intersecting points of the rafters; in several places the etoiles or
stars, similar to those mentioned in my account of Wilmslow Church, are
also carved on the bosses. Some modern bosses have been recently
introduced in the roof of the chancel, and of the side aisles, where the
old ones had disappeared; they have been carved in good taste by Mr.
Smith, in strict conformity with the remaining ancient ones; he is not
only the clerk of the church, but also a mason, and the Gothic font,
which was presented by him, and is now used in the church, is of his
design and workmanship.
Public-domain text, read in full here on John Shaqi.
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