New York (N.Y.) -- Fiction; Short stories, American
Elinor had glanced over the society reporter's account of the ball and
his description of her own gown; she had read the announcement of the
engagement of a girl she knew to a foreign count; and then she was
putting the paper down carelessly when her eye caught the word "Panama"
at the top of a paragraph. Then, at a flash, she had read the
inconspicuous paragraph which told how John Grant, a very promising
young engineer in charge of a section of the work on the canal, had died
suddenly of pneumonia, after only two days' illness, to the great grief
of all his associates, especially of the chief, who had thought very
highly of him.
The words danced before her eyes in letters of fire; and she felt as if
an icy hand had clutched her heart. She was as stunned as if the end of
the world had come; and it was the end of her world.
She did not recall how long she had held the paper clutched in her hand;
and she did not know why she had not wept. It seemed to her as if her
tears would be a profanation of her grief, too deep to be washed away by
weeping. She had not cried once. Perhaps it would have been a relief if
she could have had a good cry, petty and pitiful as it would be.
When Aunt Cordelia had called her, at last, to get ready for luncheon,
she had arisen as if she had been somebody else. She had dressed and
gone down-stairs and sat opposite her aunt and chatted about the ball.
She recalled that her aunt had said that there was nothing in the paper
that morning except the account of the ball. Nothing in the paper! She
had kept her peace, and made no confession. It seemed to her that it
could not have been herself who sat there calmly and listened and
responded. It seemed as if she was not herself, but another girl--a girl
she did not know before.
So the days had gone, one after another, and so they would continue to
go in the future. She was young, and she came of a sturdy stock; she
might live to be three-score and ten.
As she stood there at the window, staring straight before her, she saw
herself slowly changing into an old maid like Aunt Cordelia, well
meaning and a little fidgety, a little fussy, and quite useless. She
recoiled as she surveyed the long vista of time, with no husband to take
her into his arms, and with no children for her to hold up to him when
he came back from his work. And she knew that she was fit to be a wife
and a mother; and now she would never be either.
What was there left for her to do in life? She could not go into a
convent, and she could not study to be a trained nurse. There she was at
twenty-one, a broken piece of driftwood washed up on an unknown island.
She had no hope any more; the light of her life had gone out.
Public-domain text, read in full here on John Shaqi.
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