New York (N.Y.) -- Fiction; Short stories, American
He had played for a heavy stake and he had won. That was just what he
had been doing--gambling with fate, throwing dice with fortune itself.
That was what every dramatic author had to do every time he brought out
a new play. The production of a piece at an important New York theater
was a venture as aleatory almost as cutting a pack of cards, and the
odds were always against the dramatist. And as the young man quietly
recalled the events of the evening it seemed to him that the excitement
of those who engineer corners in Wall Street must be like his own
anxiety while the future of his drama hung in the balance, only theirs
could not but be less keen than his, less poignant, for he was playing
his game with men and women, while what they touched were but inanimate
stocks. His winning depended upon the actors and actresses who had
bodied forth his conception. A single lapse of memory or a single slip
of the tongue, and the very sceptical audience of the first night might
laugh in the wrong place, and so cut themselves off from sympathy; and
all his labor would shrivel before his eyes. Of a truth it is the ordeal
by fire that the dramatist must undergo; and there had been moments
that long, swift evening when he had felt as though he were tied to the
stake and awaiting only the haggard squaw who was to apply the torch.
Now the trial was over and the cause was gained. There had been too many
war-pieces of late, so the croakers urged, and the public would not
stand another drama of the Rebellion. But he had not been greatly
discouraged, for in his play the military scenes were but the setting
for a story of everyday heroism, of human conflict, of man's conquest of
himself. It was the simple strength of this story that had caught the
spectators before the first act was half over and held them breathless
as situation followed situation. At the adroitly spaced comic scenes the
audience had gladly relaxed, joyously relieving the emotional strain
with welcome laughter. The future of the play was beyond all question;
of that the author felt assured, judging not so much by the mere
applause as by the tensity of the interest aroused, and by the
long-drawn sigh of suspense he had heard so often in the course of the
evening. He did not dread the acrid criticisms he knew he should find in
some of the morning papers, the writers of which would be bitterer than
usual, since the writer of the new play had been a newspaper man
himself.
Public-domain text, read in full here on John Shaqi.
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