Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
Luigi's chest expanded largely with a melancholy draught of air.
The carriage meantime had become visible at the head of the street,
where it remained within hearing of a whistle. One of the Milanese hired
vehicles drove up to the maestro's door shortly after, and Luigi
cursed it. His worst fears for the future of the thirty napoleons were
confirmed; the door opened and the Maestro Rocco Ricci, bareheaded and
in his black silk dressing-gown, led out Irma di Karski, by some called
rival to la Vittoria; a tall Slavic damsel, whose laughter was not soft
and smooth, whose cheeks were bright, and whose eyes were deep in the
head and dull. But she had vivacity both of lips and shoulders. The
shoulders were bony; the lips were sharp and red, like winter-berries in
the morning-time. Freshness was not absent from her aspect. The critical
objection was that it seemed a plastered freshness and not true bloom;
or rather it was a savage and a hard, not a sweet freshness. Hence
perhaps the name which distinguished her la Lazzeruola (crab apple). It
was a freshness that did not invite the bite; sour to Italian taste.
She was apparently in vast delight. 'There will be a perfect inundation
to-morrow night from Prague and Vienna to see me even in so miserable a
part as Michiella,' she said. 'Here I am supposed to be a beginner; I am
no debutante there.'
'I can believe it, I can believe it,' responded Rocco, bowing for her
speedy departure.
'You are not satisfied with my singing of Michiella's score! Now, tell
me, kind, good, harsh old master! you think that Miss Vittoria would
sing it better. So do I. And I can sing another part better. You do not
know my capacities.'
'I am sure there is nothing you would not attempt,' said Rocco, bowing
resignedly.
'There never was question of my courage.'
'Yes, but courage, courage! away with your courage!' Rocco was spurred
by his personal grievances against her in a manner to make him forget
his desire to be rid of her. 'Your courage sets you flying at once at
every fioritura and bravura passage, to subdue, not to learn: not to
accomplish, but to conquer it. And the ability, let me say, is not in
proportion to the courage, which is probably too great to be easily
equalled; but you have the opportunity to make your part celebrated
to-morrow night, if, as you tell me, the house is to be packed with
Viennese, and, signorina, you let your hair down.'
The hair of Irma di Karski was of singular beauty, and so dear to her
that the allusion to the triumphant feature of her person passed off
Rocco's irony in sugar.
'Addio! I shall astonish you before many hours have gone by,' she
said; and this time they bowed together, and the maestro tripped back
hurriedly, and shut his door.
Public-domain text, read in full here on John Shaqi.
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