Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
By this time the German portion of the audience had, by one or other
of the senses, dimly divined that the opera was a shadow of something
concealed--thanks to the buffo-basso Lebruno. Doubtless they would
have seen this before, but that the Austrian censorship had seemed so
absolute a safeguard.
'My children! all are my children in this my gladsome realm!' Count Orso
says, and marches forth, after receiving the compliment of a choric song
in honour of his paternal government. Michiella follows him.
Then came the deep suspension of breath. For, as upon the midnight you
count bell-note after bell-note of the toiling hour, and know not in the
darkness whether there shall be one beyond it, so that you hang over
an abysm until Twelve is sounded, audience and actors gazed with equal
expectation at the path winding round from the castle, waiting for the
voice of the new prima donna.
'Mia madre!' It issued tremblingly faint. None could say who was to
appear.
Rocco Ricci struck twice with his baton, flung a radiant glance across
his shoulders for all friends, and there was joy in the house. Vittoria
stood before them.
CHAPTER XX
THE OPERA OF CAMILLA
She was dressed like a noble damsel from the hands of Titian. An Italian
audience cannot but be critical in their first glance at a prima donna,
for they are asked to do homage to a queen who is to be taken on her
merits: all that they have heard and have been taught to expect of
her is compared swiftly with the observation of her appearance and
her manner. She is crucially examined to discover defects. There is
no boisterous loyalty at the outset. And as it was now evident that
Vittoria had chosen to impersonate a significant character, her
indications of method were jealously watched for a sign of inequality,
either in her, motion, or the force of her eyes. So silent a reception
might have seemed cruel in any other case; though in all cases the
candidate for laurels must, in common with the criminal, go through the
ordeal of justification. Men do not heartily bow their heads until
they have subjected the aspirant to some personal contest, and find
themselves overmatched. The senses, ready to become so slavish in
adulation and delight, are at the beginning more exacting than the
judgement, more imperious than the will. A figure in amber and pale blue
silk was seen, such as the great Venetian might have sketched from his
windows on a day when the Doge went forth to wed the Adriatic a superb
Italian head, with dark banded hair-braid, and dark strong eyes under
unabashed soft eyelids! She moved as, after long gazing at a painting
of a fair woman, we may have the vision of her moving from the frame.
It was an animated picture of ideal Italia. The sea of heads right up to
the highest walls fronted her glistening, and she was mute as moonrise.
A virgin who loosens a dove from her bosom does it with no greater
effort than Vittoria gave out her voice. The white bird flutters
Public-domain text, read in full here on John Shaqi.
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