Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
The old city of Meran faces Southward to the yellow hills of Italy,
across a broad vale, between two mountain-walls and torrent-waters. With
one hand it takes the bounding green Passeyr, and with the other the
brown-rolling Adige, and plunges them together in roaring foam under
the shadow of the Western wall. It stands on the spur of a lower central
eminence crowned by a grey castle, and the sun has it from every
aspect. The shape of a swan in water may describe its position, for the
Vintschgau and the stony Passeyrthal make a strong curve on two sides
as they descend upon it with their rivers, and the bosom of the city
projects, while the head appears bending gracefully backward. Many
castles are in view of it; the loud and tameless Passeyr girdles it with
an emerald cincture; there is a sea of arched vineyard foliage at his
feet.
Vittoria reached the Castle of Sonnenberg about noon, and found
empty courts and open doors. She sat in the hall like a supplicant,
disregarded by the German domestics, who beheld a travel-stained
humble-faced young Italian woman, and supposed that their duty was done
in permitting her to rest; but the duchess's maid Aennchen happening to
come by, questioned her in moderately intelligible Italian, and hearing
her name gave a cry, and said that all the company were out hunting,
shooting, and riding, in the vale below or the mountain above. “Ah,
dearest lady, what a fright we have all been in about you! Signora
Piaveni has not slept a wink, and the English gentleman has made great
excursions every day to find you. This morning the soldier Wilhelm
arrived with news that his master was bringing you on.”
Vittoria heard that Laura and her sister and the duchess had gone down
to Meran. Countess Lena von Lenkenstein was riding to see her betrothed
shoot on a neighbouring estate. Countess Anna had disappeared early,
none knew where. Both these ladies, and their sister-in-law, were in
mourning for the terrible death of their brother, Count Paul Aennchen
repeated what she knew of the tale concerning him.
The desire to see Laura first, and be embraced and counselled by her,
and lie awhile in her arms to get a breath of home, made Vittoria refuse
to go up to her chamber, and notwithstanding Aennchen's persuasions, she
left the castle, and went out and sat in the shaded cart-track. On the
winding ascent she saw a lady in a black riding habit, leading her horse
and talking to a soldier, who seemed to be receiving orders from her,
and presently saluted and turned his steps downward. The lady came on,
and passed her without a glance. After entering the courtyard, where
she left her horse, she reappeared, and stood hesitating, but came up to
Vittoria and said bluntly, in Italian:
“Are you the signorina Campa, or Belloni, who is expected here?”
The Austrian character and colouring of her features told Vittoria that
this must be the Countess Anna or her sister.
“I think I have been expected,” she replied.
“You come alone?”
Public-domain text, read in full here on John Shaqi.
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