Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
“We heard this morning that you were coming, and we thought it curious,”
she observed; and called again for her horse to be saddled. “How far is
this place where he is lying? I have no knowledge of the Ultenthal.
Has he a doctor attending him? When was he wounded? It is but common
humanity to see that he is attended by an efficient doctor. My nerves
are unstrung by the recent blow to our family; that is why--Oh, my
father! my holy father!” she turned to a grey priest's head that was
rising up the ascent, “I thank God for you! Lena is away riding; she
weeps constantly when she is within four walls. Come in and give me
tears, if you can; I am half mad for the want of them. Tears first;
teach me patience after.”
The old priest fanned his face with his curled hat, and raised one hand
as he uttered a gentle chiding in reproof of curbless human sorrow. Anna
said to Vittoria, coldly, “I thank you for your message:” she walked
into the castle by his side, and said to him there: “The woman you
saw outside has a guilty conscience. You will spend your time more
profitably with her than with me. I am past all religious duties at this
moment. You know, father, that I can open my heart. Probe this Italian
woman; search her through and through. I believe her to be blood-stained
and abominable. She hates us. She has sworn an oath against us. She is
malignant.”
It was not long before Anna issued forth and rode down to the vale. The
priest beckoned to Vittoria from the gates. He really supposed her to
have come to him with a burdened spirit.
“My daughter,” he addressed her. The chapter on human error was opened:
“We are all of one family--all of us erring children--all of us bound
to abnegate hatred: by love alone are we saved. Behold the Image of
Love--the Virgin and Child. Alas! and has it been visible to man these
more than eighteen hundred years, and humankind are still blind to it?
Are their ways the ways of comfort and blessedness? Their ways are the
ways of blood; paths to eternal misery among howling fiends. Why have
they not chosen the sweet ways of peace, which are strewn with flowers,
which flow with milk?”--The priest spread his hand open for Vittoria's,
which she gave to his keeping, and he enclosed it softly, smoothing it
with his palms, and retaining it as a worldly oyster between spiritual
shells. “Why, my daughter, why, but because we do not bow to that Image
daily, nightly, hourly, momently! We do not worship it that its seed
may be sown in us. We do not cling to it, that in return it may cling to
us.”
He spoke with that sensuous resource of rich feeling which the
contemplation of the Image does inspire. And Vittoria was not led
reluctantly into the oratory of the castle to pray with him; but she
refused to confess. Thereupon followed a soft discussion that was as
near being acerb as nails are near velvet paws.
Public-domain text, read in full here on John Shaqi.
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