Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
Vittoria was a week without sight of her lover: nor did Countess Ammiani
attempt to explain her words, or speak of other than common daily
things. In body and soul Vittoria had taken a chill. The silent blame
resting on her in this house called up her pride, so that she would not
ask any questions; and when Carlo came, she wanted warmth to melt her.
Their meeting was that of two passionless creatures. Carlo kissed her
loyally, and courteously inquired after her health and the health of
friends in Milan, and then he rallied his mother. Agostino had arrived
with him, and the old man, being in one of his soft moods, unvexed by
his conceits, Vittoria had some comfort from him of a dull kind. She
heard Carlo telling his mother that he must go in the morning. Agostino
replied to her quick look at him, “I stay;” and it seemed like a little
saved from the wreck, for she knew that she could speak to Agostino as
she could not to the countess. When his mother prepared to retire,
Carlo walked over to his bride, and repeated rapidly and brightly his
inquiries after friends in Milan. She, with a pure response to his
natural-unnatural manner, spoke of Merthyr Powys chiefly: to which
he said several times, “Dear fellow!” and added, “I shall always love
Englishmen for his sake.”
This gave her one throb. “I could not leave him, Carlo.”
“Certainly not, certainly not,” said Carlo. “I should have been happy to
wait on him myself. I was busy; I am still. I dare say you have guessed
that I have a new journal in my head: the Pallanza Iris is to be
the name of it;--to be printed in three colours, to advocate three
principles, in three styles. The Legitimists, the Moderates, and the
Republicans are to proclaim themselves in its columns in prose, poetry,
and hotch-potch. Once an editor, always an editor. The authorities
suspect that something of the sort is about to be planted, so I can only
make occasional visits here:--therefore, as you will believe,”--Carlo
let his voice fall--“I have good reason to hate them still. They may
cease to persecute me soon.”
He insisted upon lighting his mother to her room. Vittoria and Agostino
sat talking of the Chief and the minor events of the war--of Luciano,
Marco, Giulio, and Ugo Corte--till the conviction fastened on them
that Carlo would not return, when Agostino stood up and said, yawning
wearily, “I'll talk further to you, my child, tomorrow.”
She begged that it might be now.
“No; to-morrow,” said he.
“Now, now!” she reiterated, and brought down a reproof from his
fore-finger.
“The poetic definition of 'now' is that it is a small boat, my daughter,
in which the female heart is constantly pushing out to sea and sinking.
'To-morrow' is an island in the deeps, where grain grows. When I land
you there, I will talk to you.”
She knew that he went to join Carlo after he had quitted her.
Public-domain text, read in full here on John Shaqi.
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