Vivian GreyDisraeli, Benjamin, Earl of Beaconsfield
ReligionIslamic
Vivian Grey
Disraeli, Benjamin, Earl of Beaconsfield
Bildungsromans; British -- Europe -- Fiction; Political fiction; Politicians -- Fiction; Young men -- Fiction
As he softly opened the door which led into the Long Gallery he found he
was not alone: leaning against one of the casements was a female. Her
profile was to Vivian as he entered, and the moon, which shone bright
through the window, lit up a countenance which he might be excused for
not immediately recognising as that of Mrs. Felix Lorraine. She was
gazing steadfastly, but her eye did not seem fixed upon any particular
object. Her features appeared convulsed, but their contortions were not
momentary, and, pale as death, a hideous grin seemed chiselled on her
idiot countenance.
Vivian scarcely knew whether to stay or to retire. Desirous not to
disturb her, he determined not even to breathe; and, as is generally the
case, his very exertions to be silent made him nervous, and to save
himself from being stifled he coughed.
Mrs. Lorraine immediately started and stared wildly around her, and when
her eye caught Vivian’s there was a sound in her throat something like
the death-rattle.
“Who are you?” she eagerly asked.
“A friend, and Vivian Grey.”
“How came you here?” and she rushed forward and wildly seized his hand,
and then she muttered to herself, “‘tis flesh.”
“I have been playing, I fear, the mooncalf to-night; and find that,
though I am a late watcher, I am not a solitary one.”
Mrs. Lorraine stared earnestly at him, and then she endeavoured to
assume her usual expression of countenance; but the effort was too much
for her. She dropped Vivian’s arm, and buried her face in her own hands.
Vivian was retiring, when she again looked up. “Where are you going?”
she asked, with a quick voice.
“To sleep, as I would advise all: ‘tis much past midnight.”
“You say not the truth. The brightness of your eye belies the sentence
of your tongue. You are not for sleep.”
“Pardon me, dear Mrs. Lorraine; I really have been yawning for the last
hour,” said Vivian, and he moved on.
“You are speaking to one who takes her answer from the eye, which does
not deceive, and from the speaking lineaments of the face, which are
Truth’s witnesses. Keep your voice for those who can credit man’s words.
You will go, then? What! are you afraid of a woman, because ‘tis past
midnight,’ and you are in an old gallery?”
“Fear, Mrs. Lorraine, is not a word in my vocabulary.”
“The words in your vocabulary are few, boy! as are the years of your
age. He who sent you here this night sent you here not to slumber. Come
hither!” and she led Vivian to the window: “what see you?”
“I see Nature at rest, Mrs. Lorraine; and I would fain follow the
example of beasts, birds, and fishes.”
“Yet gaze upon this scene one second. See the distant hills, how
beautifully their rich covering is tinted with the moonbeam! These
nearer fir-trees, how radiantly their black skeleton forms are tipped
with silver; and the old and thickly foliaged oaks bathed in light! and
the purple lake reflecting in its lustrous bosom another heaven? la it
not a fair scene?”
“Beautiful! most beautiful!”
Public-domain text, read in full here on John Shaqi.
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