Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
His tone told her more than his words. She gave one wild shriek, and
threw herself down beside her dead father. A cloud came over the
distracted brain, and she lay there senseless. The doctor and Rorie
lifted her up and carried her to the gate where her horse was waiting.
The doctor forced a little brandy through the locked lips, and between
them Rorie and he placed her in the saddle. She had just consciousness
enough by this time to hold the bridle mechanically, and to sit upright
on her horse; and thus led by Roderick, she rode slowly back to the
home that was never any more to be the same home that she had known and
lived in through the joyous sixteen years of her life. All things were
to be different to her henceforward. The joy of life was broken short
off, like a flower snapped from its stem.
CHAPTER IX.
A House of Mourning.
There was sorrow at the Abbey House deeper and wilder than had entered
within those doors for many a year. To Mrs. Tempest the shock of her
husband's death was overwhelming. Her easy, luxurious, monotonous life
had been very sweet to her, but her husband had been the dearest part
of her life. She had taken little trouble to express her love for him,
quite willing that he should take it for granted. She had been
self-indulgent and vain; seeking her own ease, spending money and care
on her own adornment; but she had not forgotten to make the Squire's
life pleasant to him also. Newly-wedded lovers in the fair
honeymoon-stage of existence could not have been fonder of each other
than the middle-aged Squire and his somewhat faded wife. His loving
eyes had never seen Time's changes in Pamela Tempest's pretty face, the
lessening brightness of the eyes, the duller tints of the complexion,
the loss of youth's glow and glory. To him she had always appeared the
most beautiful woman in the world.
And now the fondly-indulged wife could do nothing but lie on her sofa
and shed a rain of incessant tears, and drink strong tea, which had
lost its power to comfort or exhilarate. She would see no one. She
could not even be roused to interest herself in the mourning, though,
with a handsome widow, Pauline thought that ought to be all important.
"There are so many styles of widows' caps now, ma'am. You really ought
to see them, and choose for yourself," urged Pauline, an honest young
Englishwoman, who had begun life as Polly, but whom Mrs. Tempest had
elevated into Pauline.
"What does it matter, Pauline? Take anything you like. _He_ will not be
there to see."
Here the ready tears flowed afresh. That was the bitterest of all. That
she should look nice in her mourning, and Edward not be there to praise
her. In her feebleness she could not imagine life without him. She
would hear his step at her door surely, his manly voice in the
corridor. She would awake from this awful dream, in which he was not,
and find him, and fall into his arms, and sob out her grief upon his
breast, and tell him all she had suffered.
Public-domain text, read in full here on John Shaqi.
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