Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
"Oh, she cries, and cries, and cries," said Vixen, rather
contemptuously. "I think it comforts her to cry. I can't cry. I am like
the dogs. If I did not restrain myself with all my might I should howl.
I should like to lie on the ground outside his door--just as his dog
does--and to refuse to eat or drink till I died."
"But, dear Violet, you are not alone in the world. You have your poor
mamma to think of."
"Mamma--yes. I am sorry for her, of course. But she is only like a
lay-figure in my life. Papa was everything."
"Do you know where your mamma is going to take you?"
"No; I neither know nor care. It will be to a house with four walls and
a roof, I suppose. It will be all the same to me wherever it is."
What could Roderick say? It was too soon to talk about hope or comfort.
His heart was rent by this dull silent grief; but he could do nothing
except sit there silently by Vixen's side with her cold unresponsive
hands held in his.
Miss McCroke came back presently, followed by a maid carrying a pretty
little Japanese tea-tray.
"I have just been giving your poor mamma a cup of tea, Violet," said
the governess. "Mr. Clements has been telling her about the will, and
it has been quite too much for her. She was almost hysterical. But
she's better now, poor dear. And now we'll all have some tea. Bring the
table to the fire, Mr. Vawdrey, please, and let us make ourselves
comfortable," concluded Miss McCroke, with an assumption of mild
cheerfulness.
Perhaps there is not in all nature so cheerful a thing as a good
sea-coal fire, with a log of beechwood on the top of the coals. It will
be cheerful in the face of affliction. It sends out its gushes of
warmth and brightness, its gay little arrowy flames that appear and
disappear like elves dancing their midnight waltzes on a barren moor.
It seems to say: "Look at me and be comforted! Look at me and hope! So
from the dull blackness of sorrow rise the many coloured lights of
new-born joy."
Vixen suffered her chair to be brought near that cheery fire, and just
then Argus crept into the room and nestled at her knee. Roderick seated
himself at the other side of the hearth--a bright little fire-place
with its border of high-art tiles, illuminated with the story of "Mary,
Mary, quite contrary," after quaintly mediaeval designs, by Mr. Stacey
Marks. Miss McCroke poured out the tea in the quaint old red and blue
Worcester cups, and valiantly sustained that assumption of
cheerfulness. She would not have permitted herself to smile yesterday;
but now the funeral was over, the blinds were drawn up, and a mild
cheerfulness was allowable.
"If you would condescend to tell me where you are going, Vixen, I might
contrive to come there too, by-and-by. We could have some rides
together. You'll take Arion, of course."
"I don't know that I shall ever ride again," answered Violet with a
shudder.
Could she ever forget that awful ride? Roderick hated himself for his
foolish speech.
Public-domain text, read in full here on John Shaqi.
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