Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
"She's very handsome, you know, and all that," they said deprecatingly,
"and her figure is quite splendid; but she's on such a very large
scale. She ought to be painted in fresco, you know, on a high cornice.
As Autumn, or Plenty, or Ceres, or something of that kind, carrying a
cornucopia. But in a drawing-room she looks so very massive."
The amber-haired women--palpably indebted to auricomous fluids for the
colour of their tresses--objected to the dark burnished gold of Violet
Tempest's hair. There was too much red in the gold, they said, and a
colour so obviously natural was very unfashionable. That cream-white
skin of hers, too, found objectors, on the score of a slight powdering
of freckles; spots which the kindly sun leaves on the fruit he best
loves. In fact, there were many reservations made by Miss Tempest's
pretended admirers when they summed up her good looks; but when she
rode her pretty bay horse along the King's Road, strangers turned to
look at her admiringly; when she entered a crowded room she threw all
paler beauties in the shade. The cabbage-rose is a vulgar flower
perhaps, but she is queen of the garden notwithstanding.
Lest it should be supposed, after this, that Vixen was a giantess, it
may be as well to state that her height was five feet six, her waist
twenty-two inches at most, her shoulders broad but finely sloping, her
arms full and somewhat muscular, her hands not small, but exquisitely
tapering, her foot long and narrow, her instep arched like an Arab's,
and all her movements instinct with an untutored grace and dignity. She
held her head higher than is common to women, and on that score was
found guilty of pride.
"I think we ought to go back before Christmas, Violet," said Mrs.
Tempest, continuing a discussion that had been dragging itself slowly
along for the last half-hour.
"I am ready, mamma," answered Vixen submissively. "It will break our
hearts afresh when we go home, but I suppose we must go home some day."
"But you would like to see the dear old house again, surely, Violet?"
"Like to see the frame without the picture? No, no, no, mamma. The
frame was very dear while the picture was in it--but--yes," cried Vixen
passionately, "I should like to go back. I should like to see papa's
grave, and carry fresh flowers there every day. It has been too much
neglected."
"Neglected, Violet! How can you say such a thing? When Manotti's bill for
the monument was over nine hundred pounds."
"Oh, mamma, there is more love in a bunch of primroses that my own hand
gathers and carries to the grave than in all the marble or granite in
Westminster Abbey."
"My dear, for poor people wild flowers are very nice, and show good
feeling--but the rich must have monuments. There could be nothing too
splendid for your dear papa," added the widow tearfully.
She was always tearful when she spoke of her dear Edward, even now;
though she was beginning to find that life had some savour without him.
Public-domain text, read in full here on John Shaqi.
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