Voice production in singing and speaking, based on scientific principlesMills, Wesley
Philosophy
Voice production in singing and speaking, based on scientific principles
Mills, Wesley
Singing; Voice culture
The subject treated in this chapter may be made dry enough; but if the
student will, while reading the descriptions given, endeavor to form
the sounds described, observing at the same time his own
resonance-chambers (mouth parts) carefully in a hand-glass, and then
follow up the applications made, the reader's experience will be, in
all probability, like the author's: the more the subject is studied
the more interesting does it become, especially if one experiments
with his own resonance apparatus.
Vowels and consonants are the elements of syllables, and words are
composed of the latter. However pure a vowel is, it is accompanied in
its utterance by some noise; a consonant, by relatively a great deal
of noise.
A _noise_, in distinction to a musical tone, is characterized by
irregularity as regards the vibrations that reach the ear, while in
the case of a tone a definite number of vibrations strikes against the
drum-head of the ear within a given time; so that so far as syllables
and words, even vowels, are concerned, we are not dealing with pure
tones.
For the formation of each vowel a definite form of the
resonance-chambers is essential. In uttering, either for the purposes
of speech or song, the vowel _u_ (_oo_), the mouth cavity has the form
of a large flask such as chemists use for their manipulations, but the
neck in this case is short. The whole resonance cavity is elongated,
and the lips are protruded; the larynx is depressed, and the root of
the tongue and the fauces (folds from the soft palate, usually spoken
of as the "pillars of the fauces") approach. The pitch of this vowel
is very low.
[Illustration: FIG. 56 (Beaunis). Shows the position of parts in
sounding the vowel _a_. By comparing this illustration with those
following, the relatively greater size of the cavity of the mouth in
this case will be evident. The reader is recommended to at once test
the correctness of these representations by sounding the vowels, and
observing the parts of his own vocal mechanism with a hand-mirror.]
In _[=o]_ the lips are nearer to the teeth, and the neck of the flask
is shorter and wider; the larynx is somewhat more elevated than in the
last case, and the pitch of the sound is higher.
When sounding _a_ (as in _father_) the mouth cavity has the shape of
a funnel, wide in front; the tongue lies rather flat on the floor of
the mouth, the lips are wide apart, and the soft palate is somewhat
raised.
In _[=a]_ (as in _fate_) there is some modification of the last, the
tongue and larynx being more raised. The pitch of this vowel is higher
than is that of the more open _a_.
In the case of _[=e]_ (as in _me_) the flask is relatively small, and
the neck is long and narrow, the larynx much raised, the lips drawn
back against the teeth, and the tongue greatly elevated, so as to form
the narrow neck of the flask. The pitch of this vowel is high.
Public-domain text, read in full here on John Shaqi.
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