He gulped down the vile mixture of flat soda and bad brandy, turned his
chair round to face the houses, and cocking his feet up on the plinth
before the stairs which led up to Miss Leezie's balconies, settled
himself to wait till the bazaar became lively. It would be more so than
usual, of course, that evening, since the men had to return to barracks
through it. It was only a question of waiting till some interest came
into life.
One came very soon and quite unexpectedly.
This entrance to the balconies was partitioned off from the shops on
either side, and consisted of a tiny, empty square, hung with a
withered garland or two above the door which blocked the stairs.
This was closed; but it opened slowly, after a time, and a girl stepped
out into the square, that was little bigger than a sentry-box, stepped
out till the billowy curves of faded brocade about her feet almost
touched those of No. 34 B Company.
He sate up and stared. This was something he had never seen before!
This was the Arabian Nights!
It was, however, only Sobrai in the dress of a princess of the blood
royal; softly orange and yellow in her trailing skirts, faintly purple
and gold above, with a starred green veil hiding all but the gleam of
sham jewels, the lustre of false pearls, and a finger-tip placed in
warning where the lips should be.
He took the hint and stared silently, his blood racing through his
veins, not from any suggestion of balconies and their like, but from
curiosity, from excitement, from, in a way, the admiration which is the
antithesis of balconies; for though he knew it not, Sobrai's dress and
address were those of the virtuous woman entertaining her lawful owner.
So, with a _salaam_, whose grace had been caught from Noormahal, the
girl slipped to the ground among her brocades, and No. 34 B Company
instinctively slipped his feet from the plinth also.
There was silence for a second or two; then another hand stole out from
the green and gold stars that were so shadowy, yet so clear. A hand
clasping an hour-glass drum by its narrow waist, and twirling it gently
so that the leaded silken tassels on its fringe did the duty of
fingers, and sent that strange unrest throbbing out into the air.
But the voice that followed it robbed the sound of its usual character,
and took the restlessness into a definite cause. For Sobrai's song was
not of the bazaars. It was of the palaces. A bard's song of old days
and dead kings, of war, and death, and victory. No. 34 B Company sate
with his hands clenching his knees and listened almost stupidly, until,
suddenly, a returning torch flung a great beam of glaring light into
the shadows which almost hid the singer, and revealed a pair of black
eyes amid the stars.
He stood up then, and caught his breath in hard.
Public-domain text, read in full here on John Shaqi.
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