'Give 'im in charge 'isself, as 'e ought ter be, for disreliction o'
duty in allowin' ghosts. That 'ud stop 'is mouth, sir; special as 'e
don't know nothin'.'
The simplicity of the plan was obvious. It would even, Jack Raymond
felt, take the responsibility of informing the police off his
shoulders. He need only give the stowaway in charge, then go round to
the civil surgeon, tell him the truth, and leave him to decide whether
or not to hush up the matter absolutely--as he could easily do by the
aid of quicklime and a few stones.
'In that case,' he said, after a pause for deliberation, 'the sooner we
move off from this particular place----'
'Just so, sir!' interrupted Jân-Ali-shân. 'Dro'r the enemy's fire h'off
the weak spot. So, if you'll take 'im over to the general's 'ouse, an'
settle 'is an' Budlu's 'ash when the perlice come, I'll 'ang round
about them pore things inside, an' warble 'ymns an' psalms an'
spiritooal songs till you've done the job. It won't 'urt 'em, sir,' he
added apologetically, 'an' it'll kinder keep up my sperits.'
It appeared to do so, for when, a quarter of an hour afterwards Jack
Raymond, after finishing his task, returned to that part of the garden
on his way to the civil surgeon, he heard quite a cheerful version of
'Wrap me up in my tarpaulin jacket' coming from the camphor bush. And
when, just as the sky was primrose with the first sunbeams, he returned
once more to release Jân-Ali-shân from his voluntary lyke-wake, he
found him seated on the plinth of the mutiny memorial going
methodically through 'John Brown's body,' as sung by convivial parties,
with the elision of a word at each verse.
It was near its end, so that only 'John' had to be vocalised when Jack
Raymond came up; but the beating of the silent tune went on vigorously
while he told Jân-Ali-shân that the civil surgeon had expressed his
entire approval of the plan, which he characterised as a stroke of
administrative genius!
'"But 'is soul goes marchin' on!"' burst out Jân-Ali-shân, finishing
his song at the proper beat. Then he rose, pulled his sleeves over his
cuffs, and nodded his head gravely. 'That's 'ow it is, sir. 'Is soul
goes marchin' on. That sort o' strokes come to a feller, they do, in
the Garding Mound, an' will do, please God, as long as there's a white
face among the black.'
So, singing 'Silver threads among the gold,' he sloped off through the
cemetery, then over the wall to his work citywards, feeling that, so
far as he was concerned, the incident was over.
Public-domain text, read in full here on John Shaqi.
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