'A dead secret, even from Lady Arbuthnot, is it not, Miss Drummond?'
'I would rather it was not,' she replied, turning away resentfully to
wander off by herself into the garden where the tea-picnic was being
given; a garden which had been the '_Petit Trianon_' of the dead
dynasty.
It was a quaint place, tucked away between two angles of the city wall
for greater convenience in secret comings and goings to secret
pleasures; and it was all the quainter now because of the Englishwomen
sipping tea on the steps of the gilded summer-house, the Englishmen
calling tennis scores in what had been the rose-water tank, in which
kings' favourites had bathed, and on which they had floated in silver
barges. The feeling of mutual incredibility, which in India comes so
often to all but the unimaginative, came to Lesley, as she thought of
the city so close behind the fringe of tall blossoming trees, yet so
absolutely hidden by it.
Within half a mile of her lay the courtyard where Auntie Khôjee was
starving herself in the effort to get money wherewith to buy the
essence of happiness; within half a mile of her Lateefa's kite,
overlooked in the tornado of wrath which had followed on the
disappearance of the ring, still tilted to leeward under the burden of
sovereignty. But of all this--of the romance, the squalor, the humanity
of the lives lived in the city--she knew nothing, except her own
ignorance of those lives. That, and that only, was with her in the
beauty of the garden; the beauty which was, as it were, the only thing
that she and the unseen city had in common.
And it _was_ beautiful, bosomed in those blossoming trees that shut out
the world, shut in the scent of the flowers. It appealed instantly to
something deep down in her woman's nature; for this had been a woman's
garden!
The remembrance made her recoil spiritually. Partly from the thought of
what the garden must have seen in the past, partly from the mere
suggestion that it could appeal to anything in her. She walked on
quickly, recoiling bodily, as she did so, from an overgrown rose-shoot
which usurped the path. In so doing she displayed frills and flounces,
a pair of dainty open-worked stockings and high-heeled shoes. But she
did not recoil from the sight of these. Despite her views, despite her
modern girl's theoretical contempt for chiffons, and disdain for women
whose lives are bounded by the becoming, she was not one whit more
logical on such points than her grandmothers had been. She had not
thought out the real meaning of her frills and furbelows, or confessed
to herself that such feminine footgear belongs inevitably to the path
which leads to the '_Petit Trianon_' of life.
Public-domain text, read in full here on John Shaqi.
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