Two women, however, returning with their waterpots from listening at
the temple, agreed that if, as the priest said, _Mai_ Kâli had declared
there must be blood on her altars ere the plague was stayed, what was
the use of amulets? Besides, who could tell if the promise was not a
trick; who, briefly, could tell anything except that it was an ill time
for virtuous women, and that those were lucky who could stay at home?
So with furtive glances, and keeping close together, they shuffled back
to some dim alley, to retail what they had heard.
CHAPTER XXI
RED PAINT
Over on the other side of the city, however, on the wide stretch of
sandy waste behind an outlying dispensary which had been turned into a
segregation camp, the advocates of certainty and uncertainty had
changed places. Here, in the little grass-screened yard, six feet
square, which Jack Raymond's kindliness had secured for the ordinary
reed hut to which poor crushed old Auntie Khôjee had been brought, it
was a scavenger who doubted, a woman who--even amid tears--had faith.
'Lo! brother,' said Khôjee in gentle reproof, as she sat on the string
bed hiding her grief-blurred face discreetly from the tottering old man
who had been sent in to sweep out the premises; an old man bowed,
palsied, senile, yet still, as a male creature, claiming that calm
perfunctory drawing of a veil an inch or two more over a withered
cheek, 'thou shouldst not repeat such tales; they do harm. As I have
told thee before, God knows what happened was not the fault of the
_Huzoors_. It was Jehân's, and mine, and Lateef's; if indeed it was
ought but God's will. And lies will not bring her back again! It was
lies that killed her, Noormahal, Light of Palaces!'--a sob choked the
quavering voice, but she struggled on truthfully--'and the _Huzoors_
were kind in concealing what they could. What use to drag the honour
of the King's House in the dust? Even Jehân saw that and held his
peace. It is ye--ye of the basket and broom--strangers--not of the
house knowing the honour of the house as in old time--who have done ill
in talking. And of the girl too. Lo! what thou sayest of her and the
pearls may be true; but I know naught of it, and Jehân hath lied ever.
Then for the bracelets! Have I not worn one and cried for death? But
death has not come, as thou sayest it comes; though I have worn _this_
these two days.'
She held out her thin arm as she spoke, in order to show the _râm
rucki_ which Jack Raymond, in his efforts to reassure her, had fastened
round her wrist.
Public-domain text, read in full here on John Shaqi.
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