The dissolution of the outer framework of the European state-system, for
which Frederick’s seizure of Silesia was the first clear signal,
followed as it was by the indispensable suppression of the mischievous
independence, so called, of barbaric and feudal Poland, where bishops
and nobles held a people in the most oppressive bondage, can only
concern us here slightly, because it was for the time only indirectly
connected with the characteristic work of Voltaire’s life. But, though
indirect, the connection may be seen at our distance of time to have
been marked and unmistakable. The old order and principles of Europe
were to receive a new impress, and the decaying system of the middle age
to be replaced by a polity of revolution, which should finally change
the relations of nations, the types of European government, and the
ideas of spiritual control.
In 1733 the war of the Polish succession between Austria and Russia on
the one hand, and France and Spain on the other, had given the first
great shock to the house of Austria, which was compelled to renounce the
pretensions and territory of the Empire in Italy, or nearly all of them,
in favour of the Spanish Bourbons, as well as to surrender Lorraine to
Stanislas, with reversion to the crown of France. We may notice in
passing that it was at Stanislas’ court of Lunéville that Voltaire and
the Marquise du Châtelet passed their last days together. The wars of
the Polish succession were remarkable for another circumstance. They
were the first occasion of the decisive interference of Russia in
Western affairs, an only less important disturbance of Europe than the
first great interference of Prussia a few years later. The falling to
pieces of the old Europe was as inevitable as, more than twelve
centuries before, had been the dissolution of that yet older Europe
whose heart had been not Vienna but Rome. Russia and Prussia were not
the only novel elements. There was a third from over the sea, the
American colonies of France and England.
Public-domain text, read in full here on John Shaqi.
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