The enjoyment which Voltaire had then and for twenty years to come in his noble landscape, and which he so often commemorates in his letters, is a proof that may be added to others, of the injustice of the common idea that the Voltairean school of the eighteenth century were specially insensible to the picturesque. Morellet, for instance, records his delight and wonder at the Alps and the descent into Italy, in terms quite as warm, if much less profuse, as those of the most impressible modern tourist.[170] Diderot had a strong spontaneous feeling for nature, as he shows not only in his truly remarkable criticisms on the paintings of twenty years, but also in his most private correspondence, where he demonstrates in terms too plain, simple, and homely, to be suspected of insincerity, the meditative delight with which the solitary contemplation of fine landscape inspired him. He has no peculiar felicity in describing natural features in words, or in reproducing the inner harmonies with which the soft lines of distant hills, or the richness of deep embosoming woodlands, or the swift procession of clouds driven by fierce or cheerful winds, compose and strengthen the sympathising spirit. But he was as susceptible to them as men of more sonorous word.[171] And Voltaire finds the liveliest pleasure in the natural sights and objects around him, though they never quickened in him those brooding moods of egotistic introspection and deep questioning contemplation in which Jean Jacques, Bernardin de St. Pierre, and Sénancour, found a sort of refuge from their own desperate impotency of will and of material activity. Voltaire never felt this impotency. As the very apostle of action, how should he have felt it? It pleased him in the first few months of his settlement in new scenes, and at other times, to borrow some of Frederick’s talk about the bestial folly of the human race, and the absurdity of troubling oneself about it; but what was a sincere cynicism in the king, was in Voltaire only a bit of cant, the passing affectation of an hour. The dramatist whose imagination had produced so long a series of dramas of situation, the historian who had been attracted by such labours as those of Charles XII. of Sweden and Peter the Great of Russia, as well as by the achievements of the illustrious men who adorned the age of Lewis XIV., proved himself of far too objective and positive a temperament to be capable of that self-conscious despair of action, that paralysing lack of confidence in will, which drove men of other humour and other experience forlorn into the hermit’s caves of a new Thebaid. Voltaire’s ostentatious enjoyment of his landscape and his garden was only the expansion of a seafarer, who after a stormful voyage finds himself in a fair haven. His lines to Liberty[172] give us the keynote to his mood at this time. He did not suppose that he had got all, but he knew that he had got somewhat.