The most beautiful of all languages must be that which is at once, the most complete, the most sonorous, the most varied in its twists and the most regular in its progress, that which has most compound words, that which by its prosody best expresses the soul's slow or impetuous movements, that which most resembles music. Greek has all these advantages: it has not the roughness of Latin, in which so many words end in _um_, _ur_, _us_. It has all the pomp of Spanish, and all the sweetness of Italian. It has above all the living languages of the world the expression of music, by long and short syllables, and by the number and variety of its accents. Thus all disfigured as it is to-day in Greece, it can still be regarded as the most beautiful language in the universe. The most beautiful language cannot be the most widely distributed, when the people which speaks it is oppressed, not numerous, without commerce with other nations, and when these other nations have cultivated their own languages. Thus Greek should be less diffused than Arabic, and even Turkish. Of all European languages French should be the most general, because it is the most suited to conversation: it has taken its character from that of the people which speaks it. The French have been, for nearly a hundred and fifty years, the people which has best known society, which the first discarded all embarrassment, and the first among whom women were free and even sovereign, when elsewhere they were only slaves. The always uniform syntax of this language, which admits no inversions, is a further facility barely possessed by other tongues; it is more current coin than others, even though it lacks weight. The prodigious quantity of agreeably frivolous books which this nation has produced is a further reason for the favour which its language has obtained among all nations. Profound books will not give vogue to a language: they will be translated; people will learn Newton's philosophy; but they will not learn English in order to understand it. What makes French still more common is the perfection to which the drama has been carried in this tongue. It is to "Cinna," "Phedre," the "Misanthrope" that it owes its vogue, and not to the conquests of Louis XIV. It is not so copious and so flexible as Italian, or so majestic as Spanish, or so energetic as English; and yet it has had more success than these three languages from the sole fact that it is more suited to intercourse, and that there are more agreeable books in it than elsewhere. It has succeeded like the cooks of France, because it has more flattered general taste.