Thus it happens that three or four of these sick persons get well, rather by a happy coincidence and chance than in consequence of any intelligent treatment, and this confirms their false belief that they are healed by means of these ceremonies, not considering that, for two who are thus cured, ten others die on account of the noise, great hubbub and hissing, which are rather calculated to kill than cure a sick person. But that they expect to recover their health by this noise, and we on the contrary by silence and rest, shows how the devil does everything in hostility to the good. There are also women who go into these rages, but they do not do so much harm. They walk on all fours like beasts. Seeing this, the magician, called _oqui_, begins to sing; then, with some contortions of the face, he blows upon her, directing her to drink certain waters, and make at once a banquet of fish or flesh, which must be procured although very scarce at the time. When the shouting is over and the banquet ended, they return each to her own cabin. At another time he comes back and visits her, blowing upon her and singing in company with several others, who have been summoned for this purpose, and who hold in the hand a dry tortoise-shell filled with little pebbles, which they cause to resound in the ears of the sick woman. They direct her to make at once three or four banquets with singing and dancing, when all the girls appear adorned and painted as I have represented in figure G. The _oqui_ orders masquerades, and directs them to disguise themselves, as those do who run along the streets in France on _Mardi-gras_. [196] Thus they go and sing near the bed of the sick woman and promenade through the village while the banquet is preparing to receive the maskers, who return very tired, having taken exercise enough to be able to empty the kettle of its _migan_.