Wagner, the Wehr-WolfReynolds, George W. M. (George William MacArthur)
Science
Wagner, the Wehr-Wolf
Reynolds, George W. M. (George William MacArthur)
Penny dreadfuls; Werewolves -- Fiction
Again a minute passed, and a third time clanged that heavy iron tongue.
Then commenced a funeral hymn, chanted by several female voices, and
emanating as yet from a distance, sounding, too, as if the mournful
melody was made within the very bowels of the earth.
But by degrees the strain became louder, as those who sang approached
nearer; and in a short time the sound of many light steps on the stone
pavement of the chamber of penitence were heard by Giulia and her
companion in their cell.
Again did they exchange terrified glances, as if demanding of each other
what this strange interruption of night's silence could mean. But at
that instant the hymn ceased--and again the loud bell clanged, as if in
some far-off gallery hollowed out of the earth.
Oh! in that convent where all was mysterious, and where a terrific
despotism obeyed the dictates of its own wild will, such sounds as that
funeral chant, and that deafening bell, were but too fairly calculated
to inspire the souls of the innocent Flora and the guilty Giulia with
the wildest apprehension!
Suddenly the door opened, and Sister Alba, who presided over the chamber
of penitence, appeared on the threshold.
"Come forth, daughters!" she exclaimed; "and behold the punishment due
to female frailty."
The Countess of Arestino and Flora Francatelli mechanically obeyed this
command; and a strange--a heart-rending sight met their eyes.
The chamber of penitence was filled with nuns in their convent-garbs;
and the penitents in a state of semi-nudity. On one side of the
apartment, a huge door with massive bolts and chains stood open,
allowing a glimpse, by the glare of the lamps, tapers, and torches, of
the interior of a small cell that looked like a sepulcher. Near the
entrance to that tomb, for such, indeed, it was--stood the lady abbess:
and on the pavement near her knelt a young and beautiful girl, with
hands clasped and countenance raised in an agony of soul which no human
pen can describe. The garments of this hapless being had been torn away
from her neck and shoulders, doubtless by the force used to drag her
thither: and her suppliant attitude, the despair that was depicted by
her appearance, her extreme loveliness, and the wild glaring of her deep
blue eyes, gave her the appearance of something unearthly in the glare
of that vacillating light.
"No, daughter," said the abbess, in a cold, stern voice; "there is no
mercy for you on earth."
Then echoed through the chamber of penitence a scream, a shriek so wild,
so long, so full of agony, that it penetrated to the hearts of Flora,
the countess, and some of the penitents, although the abbess and her
nuns seemed unmoved by that appalling evidence of female anguish. At the
same instant the bell struck again; and the funeral hymn was recommenced
by the junior recluses.
Public-domain text, read in full here on John Shaqi.
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