Wagner, the Wehr-WolfReynolds, George W. M. (George William MacArthur)
Science
Wagner, the Wehr-Wolf
Reynolds, George W. M. (George William MacArthur)
Penny dreadfuls; Werewolves -- Fiction
The strange phantasmagorian spectacle rapidly developed itself in
obedience to the commands of the demon.
First, it appeared to Wagner that the supernatural luster which pervaded
the dungeon, gathered like a curtain on one side and occupied the place
of the wall. This wondrous light became transparent, like a thin golden
mist; and then the distant city of Leghorn appeared--producing an effect
similar to that of the dissolving views now familiar to every one. The
morning sun shone brightly on the fair scene; and a forest of masts
stood out in bold relief against the western sky. The gilded lanterns on
the poops of the vessels--the flags and streamers of various hues--the
white sails of those ships that were preparing for sea--and the richly
painted pinnaces that were shooting along in the channel between the
larger craft rendered the scene surpassingly gay and beautiful.
But amidst the shipping, Wagner's eyes were suddenly attracted by a
large galley, with three masts--looking most rakish with its snow-white
sail, its tapering spars, its large red streamer, and its low, long, and
gracefully sweeping hull, which was painted jet black. On its deck were
six pieces of brass ordnance; and stands of fire-arms were ranged round
the lower parts of the masts.
Altogether, the appearance of that vessel was as suspicious and menacing
as it was gallant and graceful; and from the incantation of the demon,
Wagner gleaned its real nature.
And now--as that corsair-ship moved slowly out of the port of
Leghorn--its black side suddenly seemed to open, or at least to become
transparent; and the interior of a handsomely fitted up cabin was
revealed.
Fernand's heart had already sunk within him through foreboding
apprehension; but now an ejaculation of mingled rage and grief burst
from his lips, when, on a sofa in that cabin, he beheld his loved--his
dearly loved Nisida, seated "like an image of despair," motionless and
still, as if all the energies of her haughty soul, all the powers of her
strong mind had been suddenly paralyzed by the weight of misfortune!
Wagner stood gazing--unable to utter another word beyond that one
ejaculation of mingled rage and grief--gazing--gazing, himself a kindred
image of despair, upon this mysterious and unaccountable scene.
But gradually the interior of the cabin grew more and more indistinct,
until it was again completely shut in by the black side of the
harbor--her dark hull disappearing by degrees, and melting away in the
distance. Wagner dashed his open palm against his forehead, exclaiming,
"Oh! Nisida--Nisida! who hath torn thee from me!"
And he threw himself upon a seat, where he remained absorbed in a
painful reverie, with his face buried in his hands--totally unmindful of
the presence of the demon.
Two or three minutes passed--during which Fernand was deliberating
within himself whether he were the sport of a wild and fanciful vision,
or whether he had actually received a warning of the fate which hung
over Nisida.
Public-domain text, read in full here on John Shaqi.
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