Wagner, the Wehr-WolfReynolds, George W. M. (George William MacArthur)
Science
Wagner, the Wehr-Wolf
Reynolds, George W. M. (George William MacArthur)
Penny dreadfuls; Werewolves -- Fiction
Wagner remembered the frightful spectacle which he had beholden in
Ceylon, and an awful shudder crept through his frame; for, although he
knew that he bore a charmed life, yet he shrank with a loathing from the
idea of having to battle with such a horrible serpent. Starting from the
ground, he rushed--flew, rather than ran, higher up the acclivity, and
speedily entered on a wild scene of rugged and barren rocks: but he
cared not whither the windings of the natural path which he now pursued
might lead him, since he had escaped from the view of the hideous
boa-constrictor gamboling in the solitary tree.
Wearied with his wanderings, and sinking beneath the oppressive heat of
the sun, Wagner was rejoiced to find a cavern in the side of a rock,
where he might shelter and repose himself. He entered, and lay down upon
the hard soil; the sounds of the torrents, which rolled still unseen
amidst the chasms toward which he had approached full near, produced a
lulling influence upon him, and in a few minutes his eyes were sealed in
slumber. When he awoke he found himself in total darkness. He started
up, collected his scattered ideas, and advanced to the mouth of the
cavern.
The sun had set: but outside the cave an azure twilight prevailed, and
the adjacent peaks of the mountains stood darkly out from the partially
though faintly illuminated sky.
While Wagner was gazing long and intently upon the sublime grandeur of
the scene, a strange phenomenon took place. First a small cloud appeared
on the summit of an adjacent hill; then gradually this cloud became more
dense and assumed a human shape. Oh! with what interest--what deep,
enthusiastic interest, did Fernand contemplate the spectacle; for his
well-stored mind at once suggested to him that he was now the witness of
that wondrous optical delusion, called the mirage.
Some human being in the plain on the other side of that range of
mountains was the subject of that sublime scene; might it not be the
individual of whom he was in search, the owner of the doublet? But, ah!
wherefore does Wagner start with surprise?
The shadow of that human being, as it gradually assumed greater density
and a more defined shape--in a word, as it was now properly developed by
the reflection of twilight--wore the form of a female! Were there, then,
many inhabitants on the opposite side of the mountains? or was there
only one female, she whose reflected image he now beheld? He knew not;
but at all events the pleasure of human companionship seemed within his
reach; the presence of the doublet had convinced him that there was
another man upon the island, and now the mirage showed him the semblance
of a woman!
Public-domain text, read in full here on John Shaqi.
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