Walking Shadows: Sea Tales and OthersNoyes, Alfred
General
Walking Shadows: Sea Tales and Others
Noyes, Alfred
Sea stories, English; Short stories, English; World War, 1914-1918 -- Fiction
Then, looking at Rua's face, as the life came back to it, a wave of
compassion went through her. Every contour of that face told her that
this boy also was a victim of her own kindred. He, too, was marooned,
and more hopelessly than herself, for there must be a soul within him
that could never even know what it had lost or what it hungered for,
unless, ... unless, perhaps, she could help him out of the treasures of
her own memory, and give him glimpses of that imperial palace whence he
came.
It was growing dark when they slipped into the water of the lagoon and
swam slowly towards the beach. There, she helped him to limp as far as
his hut, neither of them speaking. He dropped on his knees, as she
turned to go, and laid his face at her feet. She stayed for a moment,
looking at him, and half stooped to raise him; but she checked the
impulse, and left him abruptly.
At the edge of the wood, she turned to look again, and he was there
still, in the same attitude. There was a dumb pathos in it that reminded
her curiously of certain pictures of her lost world, the peasants in the
Angelus of Millet, though this was a picture unmarred by the curse of
Adam, the picture of a dumb brown youthful god, perfect in physical
beauty, praying in Paradise garden to the star that trembled above the
palms.
Many women (and most men) in their unguarded moments, impute their own
good and evil to others; read their own thoughts in the eyes around
them; pity their own tears, or the tears of Vergil, in the eyes of
"Geist." But Rua was praying to the best he knew.
IV
The prayer was a long one. It lasted, in various forms, for more than a
year. At dawn, she would wake, and find offerings of fruit and flowers
left at her door by her faithful worshiper; and often she would talk
with him on the beach, telling him of her own country, about which he
daily thirsted to hear more; for the more he learned, the more he seemed
to share her own exile. Music, too, they shared, that universal language
whose very spirituality is its chief peril; for it is emotion unattached
to facts, and it may mean different things to different people; so that
you may accompany the sacking of cities by the thunders of Wagner, or
dream that you see angels in an empty shrine. Sometimes, in the evening,
Rua would steal like a shadow from the shadows around her hut, where he
had been waiting to see her pass, and would beg her to play the music
of her own country. Then she would sing, and he would stand in the
doorway listening, with every pulse of his body beating time, and one
brown foot tapping in the dust.
Public-domain text, read in full here on John Shaqi.
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