Walking Shadows: Sea Tales and OthersNoyes, Alfred
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Walking Shadows: Sea Tales and Others
Noyes, Alfred
Sea stories, English; Short stories, English; World War, 1914-1918 -- Fiction
"They say she is a witch," said the Captain of the _Pearl_, who had been
listening to the conversation of the group nearest to him. "They want
her to give us some of her music. She used to sing songs, apparently,
before her man drove her out of his house, in the old days, but she has
not sung them since. They think she might oblige our party, for some
strange reason. Evidently, they've got some little joke they want to
play on us. You know these Kanakas have a pretty keen sense of humor."
The visitors gathered round curiously. An island witch was certainly
something to record in their diaries. The old woman looked at them for a
moment, with eyes like burning coals through her shaggy elf-locks. They
seemed to remind her of something unpleasant. A savage sneer bared her
broken teeth. Then she took the banjo in her shaking hands. They were
queerly distorted by age or some disease and they looked like the claws
of a land-crab. She sat down on her own threshold, and touched the
strings absently with her misshapen fingers. The faint sound of it
seemed to rouse her, seemed to kindle some sleeping fire within her, and
she struck it twice, vigorously.
The banjo is not a subtle instrument, but the sound of those two chords
drew the crowd to attention, as a master holds his audience breathless
when he tests his violin before playing.
"Holy smoke!" muttered the owner of the banjo, "where did the old witch
learn to do that?"
Then the miracle began. The decrepit fingers drew half a dozen chords
that went like fire through the unexpectant veins of the Europeans, went
through them as a national march shivers through the soul of a people
when its armies return from war. The haggard burning eyes, between the
tattered elf-locks, moistened and softened like the eyes of a Madonna,
and the withered mouth, with its broken teeth, began to sing, very
softly and quaveringly, at first, but, gathering strength, note by note,
the words that told of the love of a soldier who fought in Flanders more
than a hundred years ago:
"_Maxwelton's braes are bonnie, where early fa's the dew,
And it's there that Annie Laurie gi'ed me her promise true._"
"But it's a white woman," said the lady in the yellow lava-lava, who had
expected only the islanders to shock her, "a white woman gone native!
How disgustin'!"
"Ssh!" said somebody else, "she's going to give us more."
The old witch hardly seemed conscious of their presence now. The
slumbering sea of music within her was breaking up the ice which had
sealed and silenced it for so long. She nodded at them, with shining
eyes, and muttered thickly, an almost childlike boast:
"Oh, but I could do better than that once. My fingers are stiff. Wait!"
She went into her hut, and returned with the violin. Tremblingly, she
opened a little packet of violin strings.
"It's my last," she said. "I've kept it very carefully; but it won't be
as good as it used to be."
Public-domain text, read in full here on John Shaqi.
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