Walks about WashingtonLeupp, Francis E. (Francis Ellington)
History
Walks about Washington
Leupp, Francis E. (Francis Ellington)
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
A prominent site in town is covered by Christ Church, where Washington
worshiped, and where you can see the square family pew for which he paid
the record price, thirty-six pounds and ten shillings. The church stands
in a large, old-fashioned yard, sprinkled with the gravestones of men
and women of local renown. Hither, on Sundays, drove the ladies from
Mount Vernon, seven miles away, in a chariot with a mahogany body, green
Venetian blinds, and pictured panels, drawn by four horses. The General
did not take kindly to the coach for himself, but rode beside it on his
favorite saddle-horse, followed at a respectful distance by Bishop, his
colored body-servant, in scarlet livery. After service he would linger
in the churchyard, chatting with his friends, till Bishop reminded him
of the flight of time by bringing up his horse and holding the stirrup
for him to mount.
A spirited historical controversy has been waged over the question of
Washington’s attitude toward religion. The weight of evidence favors the
idea that, though not bound by dogma, he had a broad faith in the
philosophy of Christianity, always knelt with the rest of the
congregation and joined in the responses, and occasionally remained for
the communion. He certainly encouraged his slaves to believe in the
efficacy of prayer; for once, when a long-continued drought threatened
to ruin his crops, he called his farm-hands together on Sunday morning
and bade them put up their united supplication for rain. They did so,
and to their great delight the flood-gates of heaven suddenly opened and
deluged the earth; but the Washington family were caught in the storm on
their way home from church, and could not make shelter soon enough to
save Mrs. Washington’s best gown from serious damage or the General from
being soaked to the skin.
In his younger days, Washington was fond of dancing, and used to come
into town to attend assemblies at Clagett’s Tavern. The assembly-hall
was up-stairs. It was afterward divided into three rooms, one of which,
having fallen into the hands of persons who respect its pedigree, has
been pretty well preserved. In the old times it had at one end a gallery
for the musicians, accessible only by a ladder, which was removed as
soon as they were all in their places. This arrangement was designed to
compel them to stay at their work till released, and to drink only what
was passed up to them with the approval of the floor-committee.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account