Walks about WashingtonLeupp, Francis E. (Francis Ellington)
History
Walks about Washington
Leupp, Francis E. (Francis Ellington)
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
For the original plan of a statue, an obelisk of granite and marble was
substituted, which by its simplicity of lines, its towering height, and
its purity of color, should symbolize the exceptional character and
services of the foremost American. The building fund held out pretty
well till a politico-religious quarrel arose over the acceptance, for
incorporation in the monument, of a fine block of African marble sent by
the Pope; and on Washington’s birthday, 1855, a Know-Nothing mob
descended upon the headquarters of the Society, seized its books and
papers, and took forcible possession of the monument. The Know-Nothing
party ended its political existence three years later, and the monument
went back to its former custodians; but the riotous demonstration had
checked the orderly progress of the work, and, as the Civil War was
imminent, the shaft, then one hundred seventy-eight feet high, was
roofed over to await the return of normal conditions. It was not till
1876 that, under the patriotic impetus of the centenary, Congress was
induced to coöperate. The work was vigorously pushed from 1880 to 1884;
and in the spring of 1885, when it had attained a height of five hundred
fifty-five feet and five and five-tenths inches, occurred the formal
dedication of the Washington National Monument as we see it to-day.
For the benefit of any one whose pleasure in a masterpiece is measured
with a plummet, it may be noted that the Monument falls less than fifty
feet short of the Tower of Babel; to him who revels in terms of
distance, the glistening pile will appeal on the ground that it is
visible from a crest of the Blue Ridge Mountains, more than forty miles
away as the bee flies. But most of its neighbors in Washington find it
for other reasons an unceasing joy. To us it is more truly at the heart
of things than even the Capitol. It is the hoary sentinel at our
water-gate; or, spread the city out like a fan, and the Monument is the
pivot which holds the frame together.
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