Walks about WashingtonLeupp, Francis E. (Francis Ellington)
History
Walks about Washington
Leupp, Francis E. (Francis Ellington)
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
And here, dear reader, we come to the end of our present walks and talks
about Washington. As I warned you at the outset, I have treated our
wanderings as a pleasure-jaunt rather than as a medium of solid
instruction. When you find yourself thirsting for the severely
practical, you can come back and make the round again, if you choose, in
a sight-seeing car, and the megaphone-man will point out to you twice as
many objects of interest and give you three times as much information
about them--accurate or otherwise. He will take pains to show you all
the Government buildings and the hotels, the foreign legations and the
theaters, the millionaires’ houses, and parks and circles and statuary
which I have dismissed with a line or left unmentioned. He will tell you
how many tons every bronze weighs, how long every edifice took in
building, and how large a fortune every Senator amassed before crowning
his career with a tour of public service. I could have told you these
things, too, but, rather than force too fast a gait upon you, I have
left them for the megaphone-man and taken for my task some odds and
ends he could not take for his. I should have liked to tell you how the
Government swept all the electric wires out of the sky and hid them
underground; how it drained the marshes on the city’s western edge,
cleared the channels of the Potomac, and built out of the dredgings a
big pleasure-ground; and how it got rid of the annual inundations, in
one of which, just about a generation ago, I crossed the busiest part of
Pennsylvania Avenue in a rowboat.
These improvements, and others in the same category, have been
paralleled by the changes in the architecture of the city, at the
expense of tearing down something old to make room for whatever new was
to go up. Touched by the spirit of progress, the face of Washington is
rapidly becoming as destitute of landmarks as its origin is destitute of
myths, and the artist who visits it in quest of the antique has a hunt
before him. Nevertheless, it has not lost its picturesque appeal for the
pencil guided by imagination, or its colorful legends for the memory
seeking relief from more serious things.
Hence this book.
[Illustration]
INDEX
Adams, Abigail, 9, 115, 119.
John, 7, 73, 110, 119, 150, 156, 228.
John Quincy, 20, 58, 65, 96, 147, 150, 151, 181, 280, 281, 282.
Mrs. John Quincy, 151.
Albert Edward, Prince of Wales, 23, 192, 233.
Alexandria, Va., 4, 12, 54, 238.
Allston, Theodosia, 242.
Anacostia, D.C., 84.
Anderson, Major Robert, 193.
Arlington Cemetery, 235.
Army War College, 17, 283.
Arthur, Chester A., 224, 281.
Bagot, Sir George, 138.
Baird, Spencer F., 274.
Bancroft, George, 282.
Barksdale, William, 103.
Barney, Joshua, 15.
Barron, James, 257.
Beanes, Dr. William, 252.
Belasco Theater, 282.
Bell, John, 27.
Bellows, Rev. Dr. Henry W., 198.
Benton, Joel, 254.
Thomas H., 277.
Bladensburg, Md., 15, 135, 257.
Blaine, James G., 203, 215, 227, 282.
Public-domain text, read in full here on John Shaqi.
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