Walks about WashingtonLeupp, Francis E. (Francis Ellington)
History
Walks about Washington
Leupp, Francis E. (Francis Ellington)
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
It was during Jackson’s administration that Harriet Martineau first
visited Washington. She was suffering from overwork and had been orderd
by her physician in England to cross the sea for a good rest. In spite
of that, people would not let her alone. It is said that within
twenty-four hours after her arrival in town more than six hundred
persons had called to pay their respects. Probably not fifty could have
told why they did so, except that she was a literary celebrity. One lady
was eager to learn “whether her novels were really very pretty,” and
most of the statesmen, when told that she was a political economist,
laughed outright. A social leader, desirous of giving her a dinner such
as she had been accustomed to at home, made the table groan under the
choicest things the market afforded, including eight different meats,
only to see the guest confine herself to a tiny slice of turkey-breast
and a nibble of ham. She was equally disconcerting with her other
simplicities, such as coming to a five o’clock dinner at a little after
three, clad in a walking suit in which she had been tramping about the
city, but bringing in her capacious pockets all the trappings necessary
for a presentable evening toilet.
Notwithstanding her idiosyncrasies, Miss Martineau made a profoundly
pleasant impression wherever she went. Webster, Clay, and Calhoun would
desert their seats in the Senate to join her for a talk, and Chief
Justice Marshall would descend from the bench to greet her when she came
into his courtroom. She could take up her unpretentious position in the
corner of a sofa anywhere, and in a few minutes have a circle of the
country’s elect about her awaiting their turns for a chat; and this in
spite of the fact that she was very deaf and had to make use of an
ear-trumpet of an unfamiliar pattern, so that often a newcomer would
talk into the wrong aperture. She never made anything of her infirmity;
and, of all the poems, addresses, and letters of appreciation with which
she was showered, the production which gave her most delight was an ode
to her trumpet, beginning: “Beloved horn!”
Public-domain text, read in full here on John Shaqi.
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