Walks in RomeHare, Augustus J. C. (Augustus John Cuthbert)
History
Walks in Rome
Hare, Augustus J. C. (Augustus John Cuthbert)
Rome (Italy) -- Description and travel
"In S. Clemente, built on the site of his paternal mansion, and
restored at the beginning of the twelfth century, an example is
still to be seen, in perfect preservation, of the primitive church;
everything remains in statu quo--the court, the portico, the
cancellum, the ambones, paschal candlestick, crypt, and
ciborium--virgin and intact; the wooden roof has unfortunately
disappeared, and a small chapel, dedicated to St. Catherine, has
been added, yet even this is atoned for by the lovely frescoes of
Masaccio. I most especially recommend this relic of early
Christianity to your affectionate and tender admiration. Yet the
beauty of S. Clemente is internal only, outwardly it is little more
than a barn."--_Lord Lindsay._
On the left of the side entrance is the Chapel of the Passion, clothed
with frescoes of _Masaccio_, which, though restored, are very
beautiful--over the altar is the Crucifixion, on the side walls the
stories of St. Clement and St Catherine.
"The celebrated series relating to St. Catherine is still most
striking in the grace and refinement of its principal figures:
"1. St. Catherine (cousin of the Emperor Constantine) refuses to
worship idols.
"2. She converts the empress of Maximin. She is seen through a
window seated inside a prison, and the empress is seated outside
the prison, opposite to her, in a graceful listening attitude.
"3. The empress is beheaded, and her soul is carried to heaven by
an angel.
"4. Catherine disputes with the pagan philosophers. She is standing
in the midst of a hall, the forefinger of one hand laid on the
other, as in the act of demonstrating. She is represented fair and
girlish, dressed with great simplicity in a tunic and girdle,--no
crown, nor any other attribute. The sages are ranged on each side,
some lost in thought, others in astonishment, the tyrant (Maximin)
is seen behind, as if watching the conference, while through an
open window we behold the fire kindled for the converted
philosophers, and the scene of their execution.
"5. Catherine is delivered from the wheels, which are broken by an
angel.
"6. She is beheaded. In the background three angels lay her in a
sarcophagus on the summit of Mount Sinai."--See _Jameson's Sacred
Art_, p. 491.
Public-domain text, read in full here on John Shaqi.
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