Authors, English -- 19th century -- Biography; Critics -- Great Britain -- Biography; Pater, Walter, 1839-1894
This subdued air came to a certain extent from the circumstances of
his life, but still more from a deep-seated reclusiveness, rather
than humility of nature. Indeed, it may be said that, with all his
gentleness, he was not innately humble. What often appeared to
be humility was, in reality, an intense dislike of opposition. A
consciousness of antagonism irritated him so intensely, that he often
preferred to withdraw both what he had said and written, rather than
provoke contradiction and argument. It was not that he was diffident
about his intuitions; he was rather diffident about his power of
defending and recommending them. He was little inclined to dogmatise,
and realised most sympathetically the differences of temperament;
but the path which he had chosen was the only path for him; and
though he might seem to yield to argument and remonstrance, he was
never converted, except by reflection. He was probably never fully
appreciated at Oxford. Busy, effective, academical natures tended
to think of him as a secluded dreamer of dreams; his fame grew so
insensibly and secretly, and was, even so, confined so much to the
συνετοὶ, the connoisseurs, that there never came that revulsion of
feeling that has sometimes lifted a man suddenly on to a pinnacle of
unquestioned reputation. Moreover, it is fair to say that the air
of the Universities is not at the present moment favourable to the
pursuit of _belles lettres_ and artistic philosophies. The praise of
academical circles is reserved at the present time for people of
brisk bursarial and business qualifications, for men of high technical
accomplishment, for exact researchers, for effective teachers of
prescribed subjects, for men of acute and practical minds, rather than
for men of imaginative qualities. This is the natural price that must
be paid for the increased efficiency of our Universities, though it
may be regretted that they maintain so slight a hold upon the literary
influences of the day. The whole atmosphere is, in fact, sternly
critical, and the only work which is emphatically recognised and
approved is the work which makes definite and unquestionable additions
to the progress of exact sciences.
A genial epigrammatist once said that if a man desired to court
unpopularity in academical circles he had but to enjoy an outside
reputation, to write a good literary style, and to make it his business
to see something of undergraduates, to gain his end with entire
celerity.
Public-domain text, read in full here on John Shaqi.
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