essays published in _Fortnightly Review_, 32; first book produced, 32; criticism of Morris’s “Defence of Guenevere,” 33–5; consistency and individuality, 36; revolt against synthetic school of art-criticism, 37; perception of music, 44; definition of success, 47; art-criticism, 48–9; a great critic, 158; writes for _Guardian_, 48; criticism of da Vinci, 49; of Botticelli, 50; style parodied, 52–4; misunderstanding with Jowett, 54–5; his view of Jowett, 55–8; reputation as a talker, 59, 188, 193; lectures on _Greek Studies_, 67, publication of, 67–78; work becomes creative rather than critical, 78; appearance of “The Child in the House,” 79; absorbed in _Marius_, 82; resigns tutorship, 83; physical appearance, 85, 178, 180; method of criticism, 87–8, of working, 89, 123–4; _Marius_ published, 89, letters to Miss Paget concerning, 89; removes to London, 117; resides at Brasenose during term, 117; appreciation of France, 117–18; most fruitful years, 118; contributes to current journals, 118–19; essay on Sir T. Browne, 119–22; at work on _Imaginary Portraits_, 122, intends to bring out new volume of, 123; fantastic writing, 126–8, lack of restraint in style of “Denys l’Auxerrois,” 128; melancholy introspectiveness, 138–9; engaged on _Gaston de Latour_, 140; composition of essay on “Style,” 147; summary of artistic creed, 151; ethical base of temperament, 153, view of end of art, 153, of value of the play, 154; skill in dealing with Shakespeare’s works, 154–5; at work on _Plato and Platonism_, 156, places this work at the head of his own writings, 162, aim in, 163; lectures on Mérimée, 159; writes introduction to _Dante_, 159; not a philosopher, 163–5, epigram on, 164; development contrasted with Henry Sidgwick’s, 165; last utterance, 169; deep significance of essay on “Pascal,” 169–72, admiration for, 173; summary of _Pensées_, 173; settles at St. Giles’, Oxford, 174; later days, 174–5; receives Hon. Degree of LL.D., Glasgow, 175; visits Northern cathedrals, 175; first serious illness, 175; recovery, subsequent relapse, death, 176; buried at Holywell Cemetery, Oxford, 176; portraits of, 178; physical strength varies with inner mood, 179; sensibility, 179; dress, 179–80; shyness, 180; dislike to opposition, 181; lack of appreciation at Oxford, 181–2, personal characteristics at, 183–4; attitude towards the world, 185; uniform kindness, 186; aloofness from current thought, 186; political views, 187; reason for residence at Oxford, 187; sacrifice to art, 188; quality of humour, 188–91; attracted by cats, 190–1; as an examiner, 191–2; anecdotes about, 193–4; irony, 195;