Authors, English -- 19th century -- Biography; Critics -- Great Britain -- Biography; Pater, Walter, 1839-1894
“Not pleasure, but fulness of life, and ‘insight’ as conducting to
that fulness—energy, variety, and choice of experience, including
noble pain and sorrow even, loves such as those in the exquisite
old story of Apuleius, sincere and strenuous forms of the moral
life ... whatever form of human life, in short, might be heroic,
impassioned, ideal: from these the ‘new Cyrenaicism’ of Marius took
its criterion of values.”
This would involve “a life of industry, of industrious study, only
possible through healthy rule, keeping clear the eye alike of body and
soul.”
Marius then, with his creed formulated, at nineteen years of age,
sets out for Rome, where he has an old family mansion, to become the
amanuensis of the Emperor. There is a beautiful description of his
journey: how the sun went down “though there was still a glow along the
road through the shorn cornfields, and the birds were still awake about
the crumbling gray heights of an old temple.”
On the journey he meets the young Christian knight, Cornelius. And
it must be here confessed that the youthful soldier of the Imperial
guard, with his gilded armour, his blithe manliness, his sense of
secret serenity, is one of the least convincing figures of the book.
To put it in the plainest way possible, there is an indefinable taint
of priggishness about Cornelius, and Pater in vain labours to create a
charm about him. To weave such a charm the elaborate narrative style
is inadequate; one gets no glimpse into the blithe and serene mind
of Cornelius; he is “faultily faultless, icily regular, splendidly
null”—no touch of humanity ever comes to relieve his statuesque pose,
and one wearies of his golden armour and his handsome face. Nothing
but dramatic art, such as the art of Scott, could have given Cornelius
attractiveness; and even he would have been baffled by the sober
perfection of the young knight. One longs that he should lose his
temper, make some human mistake, exhibit some trace of emotion or even
frailty; but he takes instead his icy shining way through the story,
and the heart never desires to follow him.
Public-domain text, read in full here on John Shaqi.
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