Brothers -- Fiction; Deserts -- Fiction; Southwest, New -- Fiction; Western stories
Still higher Adam pulled himself so that he might see under the brush
shelter. A wide rent in the roof--a huge brown flash across this
space--then lower down a movement of men to and fro--rumble of rocks,
clink of shovel, thud of earth, creak and crack--a red undershirt--blue
jeans--boots, and then passing, bending men nude to the waist--circle
and sweep of long dark streak--then again the huge brown flash; it all
bewildered Adam, so that one of his usually distinguishing glances
failed to convey clear meaning of this scene. Then he looked and
looked, and when he had looked a long, breathless moment he fell flat
on the soft clay, digging his big hands deep, trembling and straining
with the might of his passion to rush like a mad bull down upon the
ruffians. It took another moment, that battling restraint. Then he
raised to look with clearer, more calculating gaze.
The brush roof was a shelter for an _arrastra_. The octagonal shape
of this sun shade filled the pocket that nestled between the slopes.
Its back stood close to the ledge of crumbling rock from which the
gold-bearing ore was being extracted. Its front faced the open gully.
Under it an _arrastra_ was in operation. As many of these Spanish
devices as Adam had seen, no one of them had ever resembled this.
In the center of the octagon a round pit had been dug into the ground,
and lined and floored with flat stones. An upright beam was set in the
middle of this, and was fastened above to the roof. Crossbeams were
attached to the upright, and from these crossbeams dragged huge rocks
held by chains. A long pole, like the tongue of a wagon, extended from
the upright and reached far out, at a height of about four feet from
the ground. The principle of operation was to revolve the crossbeams
and upright post, dragging the heavy rocks around and around the pit,
thus crushing the ore. Adam knew that mercury was then used to absorb
the gold from the crevices.
The motive power sometimes was a horse, and usually it was a mule.
But in this instance the motive power was furnished by a man. A huge,
broad, squat man naked to the waist! He was bound to the end of the
long bar or tongue, and as he pushed it round and round his body was
bent almost double. What wonderful brawny arms on which the muscles
rippled and strung like ropes! The breast of this giant was covered
with grizzled hair. Like a tired ox he bowed his huge head, wagging it
from side to side. As he heaved around he exposed his broad back--the
huge brown flash that had mystified Adam--and this mighty muscled back
showed streaks and spots of blood.
A gaunt man, rawboned and dark, with a face like a ghoul, stood just
outside the circle described by the long bar. He held a mesquite branch
with forked and thorny end, which he used as a goad. Whenever the
hairy, half-naked giant passed around this gaunt man would swing the
whip. It cracked on the brown back--spattered the drops of blood.
Public-domain text, read in full here on John Shaqi.
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