There is no fable in all the Arabian Nights apparently more fabulous than the story of the Bonaparte family. That this romance has, however, realized itself in the quiet, sober days of our modern era, must be regarded as a great fact in history, and as a piece of great good fortune. The history of humanity, clogged with political precedent, and paralysed by bureaus and red tape, has thereby been shaken with earthquake force into fresh activity, and flushed with a new life, and man has been shown to be stronger than a supposed political necessity. Human power and human passion have been freed from the spell under which the traditional limitations of rank had bound them, and it has been proved that the individual, though born among the dust, may become anything and everything, because men are equal. That the history of the Bonapartes should appear fabulous is the fault of the mediæval tinge that still attaches to our ideas of life, and of the received notions as to the impassable barriers interposed by social difference. Napoleon is the political Faust. His historical greatness does not lie in his battles, but in his revolutionary nature. He overthrew the political gods of tradition. The history of this predestined man is therefore very simple, human, and natural, but it cannot yet be written. History, too, is Nature. There is a chain of causes and effects, and what we call genius, or a great man, is always the necessary result of definite conditions. More than a thousand years of almost uninterrupted conflict between Corsica and her oppressors preceded the birth of the great conqueror Napoleon, in whose nature this rock-bound island, and this insular people, steeled in conflict, and forcibly thrown back upon itself by the narrow space to which it was confined, created for themselves an organ whose law was—illimitedness. The ascending series was this: the Corsican bandit, the Corsican soldier, Renuccio della Rocca, Sampiero, Gaffori, Pasquale Paoli, Napoleon.