Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
The first place you enter is a vast courtyard, at the extremity of
which is the portal of a church, presenting no remarkable feature,
except some colossal statues of prophets, with gilt ornaments, and
figures painted rose-colour. This courtyard is flagged, damp, and
cold; the angles are overgrown with grass; you no sooner place
your foot in it than you are oppressed with _ennui_, just as if
you had a weight of lead upon your shoulders; you feel your heart
contract; you think that all is over--that every joy is henceforth
dead for you. At a distance of twenty paces from the door you smell
an indescribable icy and insipid odour of holy water and sepulchral
caverns, which is borne to you by a current of air loaded with
pleurisy and catarrh. Although, outside, there may be thirty
degrees of heat, the marrow freezes in your bones; you imagine that
the warmth of life will never again be able to cheer the blood in
your veins, which has become colder than a viper's blood. The air
of the living cannot force its way through the immense thickness of
the walls, which are as impenetrable as the tomb, and yet, in spite
of this claustral and Moscovitish cold, the first object I beheld,
on entering the church, was a Spanish woman kneeling on the ground,
beating her breast with one hand, and with the other fanning
herself with equal fervour. I recollect that her face had a kind
of sea-green tint, which makes me shiver even now, whenever I think
of it.
The cicerone who conducted us over the interior of the edifice was
blind, and it was really most marvellous to see with what precision
he stopped before the pictures, naming the subject of each one, and
the artist by whom it was painted, without the least hesitation
or mistake. He took us up to the dome, and led us through an
infinity of ascending and descending corridors, which rivalled in
complication the "Confessional of the Black Penitents," or of the
"Château of the Pyrenees," by Anne Radcliffe. The old fellow's
name is Cornelio; he was the merriest creature in the world, and
appeared quite to take a delight in his infirmity.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account