Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
It was at Jaen that I saw more national and picturesque costumes
than anywhere else. The men were attired, for the most part, in
blue velvet breeches, adorned with silver filigrane buttons, and
Ronda gaiters embellished with aiglets and stitching, and worked
with arabesques on leather of a darker colour. It is considered the
height of elegance to button but the first two or three buttons, at
the top and bottom, so as to let the calf be seen. Wide sashes of
red or yellow silk, jackets of brown cloth variously trimmed, blue
or maroon cloaks, pointed hats with slouched brims, ornamented with
bands of velvet and silk tassels, complete the costume, which is
very similar to the ancient dress of Italian brigands: others wore
what is called a _vestido de cazador_ (hunter's dress), which is
made entirely of buckskin of a tawny colour, and of green velvet.
Some women of the lower class had red cloaks and hoods, which
seemed to make the darker part of the crowd sparkle brightly, and
to bespangle it with scarlet. The fantastic style of dress, the
swarthy complexion, the energy depicted in the features, the fiery
eyes, with the calm and impassible attitude of these _majos_, more
numerous here than anywhere else, impart to the population of Jaen
an aspect more African than European: an illusion which is kept
up still more by the intense heat of the climate, the dazzling
whiteness of the houses, which are all whitewashed in the Arabian
fashion, the tawny colour of the ground, and the unchanging azure
of the sky. The following proverb on Jaen is in current use in
Spain: "Ugly town, bad people;" but no painter would ever admit it
to be true. But then, there as here, a handsome town in the eyes
of most people is a town laid out by rule and line, and furnished
with a certain number of lamps and tradesmen.
On leaving Jaen, you enter a valley which stretches as far as the
Vega de Granada. The beginning of it is arid; barren mountains
continually crumbling away through dryness scorch you, like burning
mirrors, with their canescent reverberation; the only sign of
vegetation is to be found in a few sickly-looking tufts of fennel.
But soon the valley becomes narrower and deeper; streams begin
to flow, and vegetation reappears, bringing with it shade and
coolness. The _Rio_ of Jaen occupies the bottom of the valley,
where it rushes rapidly along between the stones and rocks which
torment it and stop its course at every instant. By it runs the
road, which follows it in all its sinuosities; for, in mountainous
countries, the torrents are as yet the most skilful engineers in
tracing out routes, and the wisest thing to do is to follow their
directions.
[Illustration: VEGA DE GRANADA.]
Public-domain text, read in full here on John Shaqi.
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