Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
to the foot of the Fountain of Lions, where it disappears in a
subterraneous conduit. This is certainly a kind of dwelling in
which you would never be annoyed by the dust, and it is a matter of
conjecture how these halls could be inhabited in the winter. The
large cedar doors were no doubt then shut, the marble floor was
perhaps covered with a thick carpet, and fires of fruit-stones and
odoriferous wood lighted in the _braseros_, and it was thus that
the return of the fine season was waited for, which is never long
in coming at Granada.
We will not describe the Hall of the Abencerrages, which is
almost similar to that of the Two Sisters, and contains nothing
particular, with the exception of its ancient door of wood arranged
in lozenges, which dates from the time of the Moors. At the Alcazar
of Seville there is another one made exactly in the same style.
The _Taza de los Leones_ enjoys, in Arabian poetry, a wonderful
reputation, and no terms of praise are thought too high for
these superb animals: I must own, however, that it would be
difficult to find anything less resembling lions than these
productions of African fancy; the paws are mere wedges, similar
to those bits of wood, of hardly any shape, which are used to
thrust into the bellies of paste-board dogs to make them keep
their equilibrium; the muzzles, streaked with transversal lines,
doubtless to represent the whiskers, are exactly like the snout of
a hippopotamus; and the eyes are designed in so primitive a manner,
that they remind you of the shapeless attempts of children.
Nevertheless, these twelve lions, if we look upon them not as
lions, but as chimeras, as a caprice in ornamenting, produce, with
the basins they support, a picturesque effect full of elegance,
which aids you to comprehend their reputation, and the praises
contained in the following Arabian inscription, of twenty-four
verses of twenty-two syllables each, engraved on the sides of
the basin into which the waters of the upper basin fall. We ask
our readers' pardon for the somewhat barbarous fidelity of the
translation:--
[Illustration: FOUNTAIN, COURT OF LIONS, ALHAMBRA.]
Public-domain text, read in full here on John Shaqi.
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